Dumula ng Isa, Dalawa, Tatlo...

Tommy Jarvis, tormented by the fear that maybe Jason isn't really dead, unwittingly resurrects the mass murderer for another bloody rampage.

Encouraged by her managers, rising pop star Mima takes on a recurring role on a popular TV show, when suddenly her handlers and collaborators begin turning up murdered.

Regina McKenzie struggles with still living at home with her parents, juggling questionable career choices, and dating the wrong men. Love on a Two Way Street is a live stage play event that covers the entire emotional spectrum.

Teresa and Peter settle down in their new home after the wedding. Things are going well until her childhood furniture arrives, sending Teresa into horrible flashbacks of turmoil from memories of her youth.

Movie of the stage play McQueen (written by British playwright James Phillips), at the St James Theatre, London, in May 2015 Featuring: Stephen Wight as Lee Dianna Agron as Dahlia, Tracy-Ann Oberman, Laura Lees and David Shaw-Parker

A misty afternoon returns a Mapuche couple to their wedding video. In their civil ceremony, they are noted as one of only two couples married in the indigenous language of Mapudungun.

Europe is a mortally sick woman who is killing time with her Chinese Man Machine. They are at their last post. Outside lies a snow covered wasteland. Elsewhere, on a glacier is an institute, where a group of nurses are faithfully playing their regressive part in the execution of a new world order. Their trance is disrupted by a stranger. All is lost. The final act is about to begin.

Samantha Moon, A young woman who lives by herself in the city must confront her past and future through her dreams whilst being stalked by a mysterious entity…

Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.

Whilst a boy mourns the passing of his younger brother, hope of unity is found in his grief.

In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

While enjoying his relationship with Cleopatra, Antony neglects his Roman responsibilities, angering Octavian Caesar. Cleopatra rejoices when Antony's wife dies, but Antony's desire for political advancement leads him to marry Caesar's sister. The fragile peace that emerges is short-lived, as Antony returns to Egypt, leading to full-scale war.

Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.

Back in the kitchen of the Gabriel family, the country is now in the midst of the general election for President. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art, and culture are chopped up and mixed together, while a meal is made around the kitchen table.

Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.

What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Frank Chin's edgy story breaks down the stereotypes of Asian Americans and centers on San Francisco Chinatown tour operator Fred Eng. Eng hides his contempt for the tourists while dealing with the uproar that occurs within his oddball family after his dying father reveals he's hiding a second wife.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.