Wild bears that bother livestock are captured with ropes and shipped to zoos.
A documentary about how Russia has been using popular culture as a weapon against Ukraine for decades. Together with industry participants, the film's narrator, musician Albert Tsukrenko, explores the financial, political and psychological reasons for the vulnerability of Ukrainian artists and reflects on how to break this vicious circle. Unfortunately, our own Ukrainian talents are becoming the ammunition in this weapon. Several generations of original Ukrainian musicians at different times in the 1970s and 1980s, 1990s and 2000s, and 2010s switched from Ukrainian to Russian in their work. Whether willingly or unwittingly, they became tools of Russian show business, which has always sought to blur the cultural border between Russia and Ukraine and worked to promote the imperial myth of "one nation".
Nazi propaganda film contrasting Germany in the days before Adolf Hitler became Chancellor with the Germany of "today" and how much better it is.
Picturesque scenes of land girls gathering hay on an Essex farm during WWI.
Documentary by Andrew Buchanan illustrating a time when faith lay at the heart of the British Experience.
How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.
Fafai, a young boy, lives with his grandfather on the island of Glamador in the Camargue. To help the old man who can no longer work, Fafai finds a job as a caretaker. He must tame wild horses. But during a storm, they escape and swim to the island of Glamador. Fafai leaves for the island to bring back the herd... Glamador is none other than the island on which Folco and Crin-Blanc end up arriving after their escape, told in Crin-Blanc. This film is the sequel to “Crin Blanc”.
Robert Mitchum narrates an anti drug propaganda film.
World Order is a nearly two-hour documentary film by documentary film director Vladimir Soloviev examining the vast political changes in the world since the fall of the Soviet Union in 1992. The film was first broadcast on Russian television channel Pervy Kanal on December 20.
The animated documentary - a mix of live-action footage and animation - tells of the brutal everyday life in the orphanages of the 60s / 70s. Often led by Christian orders, more than one million children were physically and physically abused here. The anonymous protagonist tells of her childhood and her very personal struggle against the nuns' arbitrariness and their ruthless authority.
A short documentary comemmorating 50 years of the Tiverton Canal Co. operating on the Grand Western Canal in Tiverton, Devon.
It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.
Ilford's Fairlop Plain provides the battlefield for ploughing matches between local hands and Essex outsiders.
A holiday of sorts for Stockport army reserves, fitting high-jinks between drills over two weeks of summer training in South Wales.
This is a documentary about a renowned precentor and a church composer Irina Denissova who suddenly becomes a nun in the apex of her career. At the same time, this is a film about God's love towards man. It seemed that a tragedy had occurred: a family of two prominent musicians was ruined, and Irina was abandoned by her husband while struggling with a serious disease of her son.
The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
Leur souffle
Documentary about WWII propaganda cartoons.