Febrero 1937. Memoria de una huida

Que mi nombre no se borre de la historia

Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.

La Historia Enterrada

The Moroccan Labyrinth

Presos del silencio

A feature-length documentary based on film reports from the Spanish civil war.

A story to honor actor-singer-activist Paul Robeson and his contributions to today's social climate and inspire new generations to engage in the ongoing fight for justice and equality.

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).

The young farmer Aalami leaves his family to find work elsewhere. He gets to know the country and its people, customs and traditions at Küste in North Africa: Market life in Tetuan, the art of craftsmanship, the life of the Moors, dances and festivities in honour of the caliph, white mosques, the call of the muezzin of the minaret and the music of the shepherd flutes. Aalami also follows Franco's call and flies from Morocco to Spain to fight at Bürgerkrieg. In the end Aalami comes back to his wife and children.

After the discovery of a suitcase hidden in the family home of Francisco Martínez Gascón, known as Kautela, a photojournalist who lived through the Spanish Civil War from the perspective of the rebel side, his granddaughter decides to carry out an investigation into his life and work.

During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.

Cautivos en la arena

Benito Mussolini: Anatomy of a Dictator

A pro-Republican propaganda documentary made during the Spanish Civil War. It reports on the demonstration held in Barcelona on December 27, 1937 to commemorate the capture of Teruel by the Republican forces.

The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.

The documentary is about the destruction of the republican educational model. It narrates the cleansing that Spanish teachers underwent during and after the Civil War.

A documentary about the recovery of the historical memory of the Malaga town of Archidona, a journey through the history of Archidona from the Second Republic to the last years of the post-war period. A work that speaks, above all, about people, experiences, emotions and feelings.

The story of the concentration camp on San Simón Island (Ría de Pontevedra) during the years of the Spanish Civil War (1936-39), told by its protagonists. Hours and hours of video recording resulted in this documentary which tries to reflect the emotion and tragedy of those years. A research project based on an oral history methodology.

We had to wait until the Spanish “Movida” of the 1980s to see films that did not emanate from Francoist propaganda. But Spain had already experienced a period of cinematic splendor, during the civil war, when the film studios were under the control of the Republicans. By describing the "competition" between Republican and Francoist cinemas of the time, Richard Prost provides a unique vision of the Spanish Civil War.