A look at the succession ceremony in which Ichikawa Danjūrō XIII formally inherited the storied Danjūrō name in Kabuki, Japan’s classical performing art. The film records the behind-the-scenes preparations for the actor’s name-inheritance debut performance.
Famous kabuki performer Kikugoro IV performs the Lion Dance, in which a young girl is possessed by the spirit of a lion and transforms into the demonic beast.
In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.
In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.
A day in a Hyatt suite gone weird
Set in a small Nagano village in the 1930s, the film follows Hanji, a young boy captivated by a local kabuki performance. Inspired by Yukio, Hanji learns kabuki with Utako. As they grow, they become skilled actors, performing in a final kabuki before World War II. After the war, Hanji returns to revive kabuki and restore the community’s spirit. In the 1980s, as he nears death, the villagers organise a final performance in his honour, where he performs “Tenryu Koishibuki” for Yukio.
Nakazo is forced by his foster mother, Shun, to practice dance intensively. He is bullied in the Kabuki world, and worries about his future as an actor.
Follows the life of an illegitimate son of a kabuki actor.
A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.
Two young swordsmen, Akado Suzunosuke and Tatsumaki Rainoshin, arrive at the city of Edo in their quest to test and improve their skills. Soon they become involved in a conflict against a mysterious group of demonic criminals led by the king of hell, Taira no Masakado — a strugle to which both were destined since the moment they were born.
A streetwise New York police officer transforms into the world's most unusual superhuman hero.
An onnagata (female impersonator) of a Kabuki troupe avenges his parents' deaths. Remade in 1963 as Yukinojô Henge.
Hanbei (Arata Furuta), the boss of the labor agency Fujitsuboya is known to the underworld as the leader of the 'Last Rite Givers' (Indouya), an organization that deals with disposing of criminals for the sake of the people and society. However, in reality, he is merely a timid and mild-mannered man, too gentle to even harm a fly, whose fearsome appearance is what earned him his position. In both his public and secret life, the true leader is his wife, Oise. One day, a wandering assassin known as the 'mad dog', Yoiyami Ginji (Taichi Saotome), appears—someone who will kill anyone, regardless of who they are, as long as the price is right. Under the orders of the 'Black Blade' gang, who aim to destroy the 'Last Rite Givers' and monopolize the underground business, Ginji awaits to ambush and kill Hanbei. However, at that moment, as if by the curse of the 'Tengosei' star, a violent lightning strike causing the bodies of Hanbei and Ginji to switch.
Yotsuya Kaidan
Air Force Major Lloyd Gruver is reassigned to a Japanese air base and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily, a by-the-book officer, Gruver must take a position when a buddy of his, an enlisted man, Joe Kelly, falls in love with a Japanese woman, Katsumi, and marries her. Gruver risks his position by serving as best man at the wedding ceremony.
Earliest japanese horror film.
Shin Yotsuya Kaidan