Sara Correia – Eu sou de Chelas

You already know the legendary singer. For the first time, you'll get to know the woman behind the myth. The story of singing legend Amália Rodrigues who ruled the famous Portuguese acoustic guitar and vocals based music genre called fado.

Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings about new friends, namely bohemian young who play and sing the fado with her, and not so young men but who rich and powerful enough to patronize her, promote her, and wish to become intimate with her. Júlio the guitarist feel betrayed, and he sets his mind to depart to the African colonies, to leave her forever. Knowing that he's going to embark, Ana Maria's heart between her first love, and the appeal of the rich and famous.

The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song.

A love letter from an American soul to the city of Lisbon.

A portrait of Amália by herself. Her personality, experiences, daring, songs, joys and sorrows and a journey that took her all over the world, are told here through moments when Amália crossed with the history of radio and television and public.

Two of most renowned portuguese musicians, Carlos do Carmo and Bernardo Sassetti, from the jazz, joined together in 2010 for a unique musical production. Carlos do Carmo is a great fado singer, while Bernardo Sassetti is a great jazz piano player. Their joint performance is a unique and fantastic blend of fado and Jazz.

Two incredible musicians generating an intense, moving and very special musical relationship. Raül Refree one of the most innovative european producers of the last decade, was blown away by Lina's voice, when he saw her sing at Clube de Fado in Lisbon. Lina, a Fado singer with classical training, 2 records on Sony Music and an expert on Amália Rodrigues, selected some of the Diva's Fado Classics and they immediately started to work in studio, a joint project. Raül framed Lina's voice in analog clouds, with brilliant arrangements and a never-before-tried approach, giving Fado a unique electronic view underlining its universal condition. Lina profoundly moving, each song she owns is a monument in the history of Fado, whose voice haunts us all. Sometimes you need to break the rules, that is how you end up making history.

A thrilling performance of the greatest modern singer of Fado, Amalia Rodrigues. Taped in 1990, before an excited and savvy audience at New York's Town Hall, the concert captures all the passion, romance, and power of both the Fado tradition and Amalia herself.

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.

The Cruel Stepmother

Based on eight years of continued prosperity, presidents and economists alike confidently predicted that America would soon enter a time when there would be no more poverty, no more depressions -- a "New Era" when everyone could be rich. But when reality finally struck, the consequences of such unbound optimism shocked the world.

From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.

The profound story of Lucy Temerlin, a female chimpanzee raised as human from birth in a domestic environment, and Janis Carter, the woman who took on the seemingly impossible task of giving her a new life in the wild.

It is a story of stage people's triumphs and heartaches, including their own personal life off the limelight.

The one and only Dr. Pol has hit an incredible milestone – 200 episodes! Stroll down memory lane as we look back on highlights from the last decade. Doc, Charles & Diane join in on the fun, watching & reacting to these unforgettable moments right alongside you. Plus, get a first look at never-before-seen footage from the series. It's two jam-packed hours of nonstop Pol-ness you don't want to miss!

Documentary on the USSR

A Songstress Called Hong Lingyan (歌女紅菱艷) aka Tears of Songstress is a 1953 Hong Kong musical drama film directed by Tu Kuang-Chi. The film was a co-production by Shaws Film Company and Far East Motion Picture Company, and is based on the screenplay by Pan Liu-Dai.

Documentary about the most popular music of the Andes -- Huayno music -- and explores the lives of three Huayno musicians in a contemporary Peru torn between the military and the Shining Path guerrillas.