Meet Me at the Creek

Tar Creek is an environmentally devastated area in northeastern Oklahoma with acidic creeks, stratospheric lead poisoning and enormous sinkholes. Nearly 30 years after being designated as a Superfund cleanup program, residents are still struggling.

A group of unacquainted women, with no musical experience, have three days to learn an instrument, form a band and perform live.

A BTS documentary set in the August of 2015 when Piyush Mishra flew down to Hyderabad to lend his vocals to an independent film called SHEESH MAHAL. Piyush penned lyrics for two songs composed by Vivek Sagar. Sheeshmahal marks the first collaboration of Camp Sasi with Rohit Penumatsa.

John Pilger unearths the hidden agenda behind the NHS crisis.

Monica Lewinsky and filmmaker Max Joseph (Catfish) examine the human price of public shaming and cyber-harassment, profiling people who have experienced them first-hand – while investigating the bullies, bystanders, and experts in between.

Una larga experiencia

Documentary about young people who are dedicated to cleaning windshields in Ciudad Nezahualcóyotl to survive.

Narrated by the architect himself, Frank Gehry: The Formative Years explores his long standing career and unique eye. The film looks at a number of Gehry's projects from private homes to complex public institutions, all of which echo his experimental style and vision. Works such as The Norton House, The Aerospace Museum and Loyola Law School demonstrate Gehry's eccentric and distinctive touch. The Formative Years is a survey of his beginnings when Gehry experimented with his own house in Santa Monica, giving him notoriety in the architecture scene.

Child marriages have been an unnoticed reality in some sections of the Muslim community in Sri Lanka. This film tells the story of Fatima, a 16-year old school girl, who is set to marry a man far older than her. Not only her right to education is denied but her consent to marriage too. Until she accidentally meets her future husband, she has not even seen him. She is caught up between her hopes and the reality of her destiny.

Set in Nagaland, the film hopes to find resonance in other geo-political locations of the world where people living on the margins are challenged by the seemingly inevitable phenomenon of modernization. The film follows Zarenthung, a first generation fisherman as he navigates his new profession as the reality around him is changing.

An unfiltered look at the recording of the new album by Neil Young and Crazy Horse.

The Last Straw is a film documenting the very last live poetry reading given by Charles Bukowski at The Sweetwater, a music club in Redondo Beach, California on March 31, 1980

"Marilyn Manson : Fear of a Satanic Planet" tells the full story of a legend, revealing how a boy named Brian from small town Ohio broke the mould for Alternative Metal and managed to gain worldwide critical acclaim in the process. For the first time this DVD documentary charts his early career with the Spooky Kids, his progression through various line-up changes. It explains how one man managed to become the soundtrack for jilted youth worldwide, going from strength to strength with every new album.

The term "working poor" should be an oxymoron. If you work full time, you should not be poor, but more than 30 million Americans - one in four workers - are stuck in low wage jobs that do not provide the basics for a decent life. WAGING A LIVING chronicles the battle of four low-wage workers to lift their families out of poverty. Shot over a three-year period in the northeast and California, this observational documentary captures the dreams, frustrations, and accomplishments of a diverse group of workers who struggle to live from paycheck to paycheck. By presenting an unvarnished look at the barriers that these workers must overcome to escape poverty, WAGING A LIVING offers a sobering view of the elusive American Dream.

A poetic journey through the paths and places of old Castile that were traveled and visited by the melancholic knight Don Quixote of La Mancha and his judicious squire Sancho Panza, the immortal characters of Miguel de Cervantes, which offers a candid depiction of rural life in Spain in the early 1930s and illustrates the first sentence of the first article of the Spanish Constitution of 1931, which proclaims that Spain is a democratic republic of workers of all kind.

Heartbreak affects us all. Oscar-nominated director Christian Frei teams with famed anthropologist Helen Fisher to examine the power and resilience of love despite it all.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.