By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth. From the monarch butterflies that swarm the highlands of Mexico to the birds who navigate by the stars and the millions of red crabs who make the perilous land journey across Christmas Island, this release offers a look at animal instinct in it's purest form.
If not for him, the history of Singapore would have turned out quite different. He was a rickshaw puller.
In the midst of the social unrest caused by the COVID-19 pandemic, in Calpan, Puebla, there is a small corner where hope is harvested daily: the people's asylum.
A short film on writer and poet František Hrubín.
In 2008 and 2009, Clarissa Thieme travelled through Bosnia-Herzegovina, setting up her camera at places where war crimes took place during the nineties. Now she returns to the same locations a decade later: what traces are left behind by a violent past?
Saying No is an early 1980s educational film produced by Crommie & Crommie that, true to the title, presents a process for young women to successfully decline advances from the opposite sex.
After surviving three years as victims of sex trafficking, sisters Iris and Dulce recall their experience, reflecting on such topics as female companionship, re-meaning their bodies, and restoring dignity to their lives.
Rare documentary footage from around 1900 depicts the mood of life in Berlin at the turn of the century.
9000 Laps
Through its rhythmic montage and mix of observational and surreal imagery, Malembe forges oblique linkages between the United States and Venezuela, conveying the strange dissociation of being uprooted, of living between places. As a knife cuts through sky, through snow, and through fruit, quasi-ethnographic footage—with its conventional markers of music, food, ritual—joins with home-movie auto-portraiture of a New England winter, communicating a sense of dislocation at once vertiginously queasy and absurdly comic.
For time immemorial, the indigenous peoples of Latin America have used and venerated the coca plant, affording it the same respect as a person. Jiíbie is the Uitoto word for the powder made from the plant, which is produced here in the domestic setting of a Muiná-Muruí family (in the Colombian Amazon). A spiritual guide, a healer, a teacher and a communicator: these are just some of the roles assigned to this “plant of power”.
Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.
After Saddam Hussein had the Kuwait Oil wells lit up, teams from all over the world fought those fires for months. They had to save the oil resources, as well as reduce air pollution. The different teams developed different techniques of extinguishing the fires. Man's emergency creativity can be seen at it's best.
Entre ciel et terre
Documentary short about an anual football game being helf in Florence, Tuscany in Italy dating back to medieval times.
“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural experience of a grandmother’s tipi. It is based on memories of being in a tipi, observing in the bliss of cooking and the time in-between.
For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.
The animated documentary deals with a new intensity of longing during the first lockdown in Germany.
Portovesme in the south of Sardinia, a place with many faces: Once an industrial flagship, today an abandoned place of work. A breath of summer idyll has withstood the test of time. In neo-realistic 16mm images and archive material, and with an accentuated soundtrack, the film follows three boys who appear as if emerging from a memory.
Egypt's only modernist architect Hassan Fathy (1900-1989) was committed to ecology and sustainability in his architecture. This film takes us with slow steps, in still images, to two villages he created. Fathy's historically grounded, forward-looking designs prompt us to reflect on the past as well as contemplate new solutions for the future.