13. Parteitag der Liberal-Demokratischen Partei Deutschlands, Weimar 1982

Documentary about aviation

Through an intimate conversation, Steph Jane, age 28, shares the struggles and lessons her second diagnosis of stage-4 cancer has taught her. From being genuinely present and savouring simple moments to thoughts of the future and what really matters, Steph reveals beauty and wisdom which transcend appearance and years.

The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.

The Tsar visits the Russian embassy

Short film about seals, the hunt for them and how they are processed afterwards.

Documentary about Borneo, the island of beauty, passion and demons

I started from the assumption that the discourse about the hospital could be the objective pretext for communication between two people, the link that allows them to continue writing to each other, the intermediary between two desires.

Documentary about the "Kampfgemeinschaft für Rote Sporteinheit", a communist workers' sports association in the final phase of the Weimar Republic.

Documentary film from a National Socialist perspective on the political development of Germany from the First World War to the annexation of Austria by the German Wehrmacht. The film is presumably one of a series of films intended to convince voters of the achievements of the NSDAP and Adolf Hitler in particular in the run-up to the referendum and Reichstag elections on April 10, 1938

The film shows the manufacture of a luxury edition of "Mein Kampf" on real parchment, handwritten.

The 5th anniversary of the inner-German wall to West Germany and West Berlin is on the agenda. The necessity of erecting the border is illustrated by comparing the situation in 1939 and the situation in the summer of 1961 with regard to the "threat of intervention" by the Western powers. Berlin people and GDR border guards are interviewed.

Andy Warhol directs The Factory regular Louisa "Jackie" Foster for a screen test.

A retrospective about the world of the mineral, following different narrative lines, centered on housing, labor, transport, recreation among others. Original copy is lost, only 14 minutes are available.

Routine Pleasures, Slow Cinema.

'The angle of the world allows us to see the real as an outer and inner presence at the same time, an opaque otherness, yet capable of becoming an intimate space. These incommensurable lengths and distances of an interior that opens up: The mysterious movement of the clouds, the cadence of the waves against the light, or the silent slippage of a barely identifiable human silhouette, everything seems transfigured, derealized and reinvented by light in a poetic world that evokes the paintings of Turner or Friedrich, the writings of Poe or Baudelaire.’ — Violeta Salvatierra

Amongst the contemplative static shots of decaying architecture weaves an abstract narrative unveiling the life-cycle of a higher perception, too large to perceive. Shot at various sites across south-east England, INFRASTRATA is a study on the concept of super-organisms, and the relationship between structure and nature.

This film portrays activity in Grand Central Market in Los Angeles, California. Highlighted are vendors that represent the melting pot that is America, selling their wares to people of all ages and all walks of life. The film was directed by William Hale. Notably, the film also showcases some early work of famous cinematographer, Haskell Wexler.

With its fluid arrangement of black and white scenes paired with an immersive soundscape, Je me souviens d’un temps où personne ne joggait dans ce quartier is a celebration of the many faces of Park Extension. The film provides a glimpse inside a festive cultural gathering; the workshop of a meticulous artisan; and an alley where a young cyclist is learning to ride. With her restrained approach, the filmmaker hints little by little at a seemingly inevitable transformation, while the relentless onset of gentrification threatens the social fabric of a neighbourhood. After a critically acclaimed detour into audio documentary, Jenny Cartwright returns to the evocative force of images to evoke a rich and diverse community.

In this film essay, critic Peter Buchka explores the German cinema of the 1920s, ranging from the disquieting images of Fritz Lang's Metropolis to the castrating sexuality of Marlene Dietrich in Die Blaue Engel. The program provides an introduction to Weimar cinema, with Buchka's essay narrated over the images from film clips of 1920s era German films.

Die Blitzzugjagd