Der Schlag hat gesessen!

An short anti-cruise missile film created in collaboration with a group of filmmakers.

Chema is an expat architect from Spain who lives in Amsterdam. He has built up a new life there as a wind-up toy maker. He creates small pieces of art from recycle items.

In addition to historical facts based on the presentation of monuments, the short film primarily points out today's lifestyles of the medieval town of Vellberg, Germany

An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.

Short educational film about the society of the weimar republic.

An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.

The film explores the history of the United Order of Tents, a clandestine organization of black women in the 1840s, during the height of the Underground Railroad (a network of secret routes and safe houses established in the US during the early to mid-1800s, and used by African-American slaves to escape into free states and Canada).

The story of a unique Georgian musician - Gia Iashvili, who makes music for the sake of creating and remains little-known in his own country.

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

Filmed for the most part from a low-flying aircraft, this documentary short presents a breathtaking view of Canada from coast to coast. Showing the varied terrain, from craggy coast to towering glacier, the film illustrates Canada’s pristine wilderness as well as today's industrial and urban realities. Canada the Land was specially commissioned for the Canada Pavilion at the Osaka World Fair in 1970.

When Dortmund is playing against Schalke, riots and brawls are destined to happen. The fans of both clubs are shown during soccer matches and asked where the abysmal hatred against the opposing club comes from.

Dance Theater of Harlem's Lindsey Donnell reflects on the obstacles she and other ballet dancers face in ballet and society.

An aspiring documentary filmmaker named Simon Rosenthal tries to get some attention for his film about skinheads versus Turkish immigrants. However, as a Jewish man in today's Germany, his fears for the future prompt him to move to the moon.

Paula Peters, the trainer, shows a series of tricks executed by her marvelously well trained troop of horses and dogs, assisted by two or three clever monkeys. The horse, a snow white animal, performs most entertainingly, and a graceful wolfhound does some marvelous jumping stunts, while her little poodle dogs and her monkeys also present an entertainment which the children will go wild over.

Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.

Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.

The hairstyles of four Afro-descendant people from Mexican - Senegalese families, represent the starting point to reflect, through memories that emerge from their past and present, what it is like to live in México wearing a Black Crown and the consequences that implies.

Itzanamí, a young woman, is facing stormy relationships. In his attempt to discover himself, he creates a documentary, wondering why he associates love with violence. Revisiting her family's past, and the relationships her grandmother and mother have gone through, she discovers the true face of love: the love between the women in her family.