Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.
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A documentary about Nain, a Labrador Inuit community located near the world's largest nickel and copper deposits. As commercial mining interests prepare to exploit the resources, local residents consider the potential environmental and cultural impact. Meanwhile longstanding Aboriginal land claims are unsettled.
When the first railroads were built some two hundred years ago, they brought about a revolutionary change for mankind, linking cities and countryside, driving the industrial revolution and irrevocably changing the landscape: a history of the railroad from its beginnings to the present day.
This short documentary film is a fascinating portrait of urban and rural Quebec in the late 1960s, as the province entered modernity. The collective work produced for the Quebec Ministry of Industry and Commerce calls on several major Quebec figures.
The mining industry, which always had been “sponsor” and “financier” of the soccer clubs in the Ruhr valley during the post-war period, doesn’t exist anymore nowadays in that form. Many of the once glorious clubs which dominated German soccer until the 1970s faded into obscurity without financial backers. The documentary “Im Westen ging die Sonne auf" ("The sun had risen in the west“) shows the history of the “Revierfußball” from after the second World War until the decline of the mining industry and recalls legendary players and forgotten clubs. The film shows especially how deeply rooted the sport was back then in the entire lifestyle of the Ruhr area - in private life as well as in society - and how structural change also left clearly visible marks in sports. With pictures from back then, interviews with contemporary witnesses, and footage of original locations nowadays, a contemporary document of German post-war history, by taking the example of soccer, has been created.
The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.
A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.
TGV Paris-Bordeaux, la ligne de tous les records
Second Chance tells a story of Ukrainian orphaned children and the Canadian volunteers who spend their summers working along side them. The film follows first time volunteer and filmmaker, Adriana Luhovy, as she learns about the children and becomes witness to their strengths and resilience. Converging in Yaremche in the Carpathian Mountains of Ukraine, over 500 orphaned children come together from all over the country. At first quiet and fearful, they learn to trust one another and their counsellors. By countering heartbreaking statistics - 60% of orphaned girls are trafficked within the first year of leaving the orphanage; 50% of boys end up in jail; 10% commit suicide - the volunteers are dedicated to making a difference in the lives of orphaned Ukrainian children.
Brought by poverty, Petang and Cereno are driven into the realm of child labor to live by the clock. Film Weekly follows their journey as they step back to breathe and to be children once again.
Acid rain, economic development, and a century of mining pollute Rocky Mountain waters.
Newly into addiction recovery, an urgent threat emerges to spur filmmaker, Mark Titus back to the Alaskan wilderness - where the people of Bristol Bay and the world's last intact wild salmon runs face devastation if a massive copper mine is constructed.
'The Devil's Miner' tells the story of 14-year-old Basilio who worships the devil for protection while working in a Bolivian silver mine to support his family.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
150 underprivileged and orphaned students in the remote jungle of Thailand attending the country's first democratic school prepare a special celebration to honor their remarkable adoptive mother on Mother's Day.
Black dust, shrill metallic noises, dark tunnels, muscular bodies – all that is the past. At the end of 2018, extraction of coal throughout Germany came to an end. That same year, the voices of the emerging climate protest movement Fridays for Future grew louder. Against the backdrop of these media and socio-political events, the film follows five miners on their tragic, humorous and heartwarming search for a new role in life.