The Whole and the Parts

A documentary short which follows follow Quandamooka artist Megan Cope in the creation of her work 'Whispers' and the lead up to the opening of the exhibition at Sydney Opera House in 2023.

An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

Umění kovolitců

13 figures de Sarah Beauchesne au 71, rue Blanche

Rodin: A Modernist

The Spanish sculptor meditates about his life and work

The odyssey of the Mayice designers, who had to face to bring an impossible-to-manufacture piece to the Rossana Orlandi gallery, in Milan, in time to be exhibited at the Salone.

México-raised and currently Chicago-based artist Sofía Fernández Díaz details her process of adorning found objects and handmade textiles with beads, dyes, and melted wax to imbue them with new meaning, and to give them patitas.

Years ago, artists would walk around the muck at the edge of the San Francisco Bay in Emeryville, and build loads of sculptures out there on the flats, created from driftwood and found objects that drivers would enjoy as they motored south on the old Highway 17 (known in numerous radio ads as 'Highway 17, The Nimitz'). Grabbing material off someone else’s work was considered fair game and part of the fun, and contributed a kinetic dynamic to the ongoing display. Now the place is a park, and the sculptures are gone, but you can see what it used to be like in this neat and funny documentary by Ric Reynolds, augmented by Erich Seibert’s wonderful musique-concrète/time-lapse sequences. The flashback circus sequence includes Scott Beach and Bill Irwin. Sculptors interviewed include Walt Zucker, Tony Puccio, Robert Sommer, Ron & Mary Bradden, and Bob Kaminsky.

A documentary about the statue Winged Victory of Samothrace, unquestionably one of the most complete expressions of Hellenistic sculpture

Enter the imaginative world of acclaimed sculptor Rolanda Polonsky, who had been a resident of Netherne Psychiatric Hospital in Coulsdon, Surrey for 26 years when this film was made. One of the positive aspects of her illness, described in the film as a schizophrenia, is that it "tapped a deep source of mystical vision and human feeling" which finds expression in her work.

During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

Next to the Bijenkorf on the Coolsingel stands one of Rotterdam’s most famous sculptures, an untitled structure created by Russian modernist artist Naum Gabo, that has been simply called Het Ding (The Thing). This documentary about the restoration of Naum Gabo’s nameless sculpture from 1957 combines awe-inspiring shots of this artwork with audio fragments from Gabo’s fiery Russian manifests.

Nothing destined this child born in Marseille in 1921, and from a modest background, to become an avant-garde artist. At 12 years old, the one who is still called César Baldaccini works to help his father, but also studies drawing. In 1943, he moved to Paris and enrolled in the Beaux-Arts. He chose sculpture, an expensive art for this penniless student. From the 1950s, he shaped fine animals from metal debris collected in factories. This alloy between his Mediterranean imagination and these industrial materials earned him the attention of Picasso. But in 1960, this instinct, now in vogue, brought about a radical change. Fascinated by hydraulic presses, he presented three compressed cars at the Salon de Mai. The artist stands aside in front of the machine, and the morbid aesthetic of the breakage radiates the sculpture. Outcry!

Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).

Pelle vegetale. Un'intervista

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.

The film highlighting the Dravidian temple architecture and bronze sculpture which attained the creative pinnacle during the rule of the Cholas in the 10th and the 11th centuries. Cholas were great temple builders. The temple of Vijayalaya Cholesvara is one of the finest examples of the early Chola style. The temple of Nagesvara at Kumbakonam is remarkable for the sculptures found in the niches of its outer walls. The Brihadesvara temple at Thanjavur is a landmark in the evolution of building art in India.Among several such unique temples, Tribhuvanam is the last important temple belonging to the Cholas. Besides temple architecture,the bronze sculpture of the Cholas holds a unique place in the field of art. One of the most important and famous of all Hindu icons,that of the cosmic dance of the Nataraja is intimately associated with the Chola bronzes.

In the summer of 2018, on the Serpentine in London's Hyde Park, world-renowned artist Christo created his first public work of art in the UK. Inspired by ancient Mesopotamian tombs, the Mastaba is constructed from 7,506 painted oil barrels and weighs six hundred tonnes. It is the latest work in a career spanning half a century and stretching across the world. His work to date have included surrounding 11 islands off the Florida coast with pink polypropylene and wrapping Berlin's Reichstag and the Pont Neuf in Paris. This programme charts the creation of the Mastaba - from the first barrels being put on the water to its final unveiling - and paints a portrait of Christo as he looks back on a life spent making provocative works of art with his wife and partner Jeanne-Claude.