Domingo de Chuva

Fragments is a documentary that explores the feelings expressed in dedications, using archival images and videos to reveal the emotions and memories they evoke.

Alô, alô Amazônia

E Se Chover Amanhã?

Alto das Flores

No Meio de Campo

O Terceirão dos Lobos

The film is about the vinyl record culture and presents a panel of stories, searches, collecting, in various locations in Rio de Janeiro.

Craiova Versus Craiova

In Lisbon’s residence of The Little Sisters of the Poor Congregation, a group of 7 nuns takes care of 75 elderly people, helping them in their final years.

Resgatando a qualidade

"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.

In a city consumed by gentrification, artist João Fiadeiro and the company he keeps postpone and embrace the end at the house they inhabited for the last decades. By vacating, they occupy; by disbanding, they stay together; by celebrating, they reclaim a 30-year-old project from disaffected national politics. What remains when everything must go? How does one keep on?

Almas Silenciosas

Curitiba, PR, December 8, 1959; at around five o'clock in the afternoon, Military Police sub-lieutenant Haroldo Tavares enters the Bazar Centenário, Praça Tiradentes, to buy a comb. He chooses one, finds it expensive and demands an invoice. The store owner, Amhad Najar, argues and they end up fighting. The warrant officer leaves the fight with a fractured leg. Outside the store, the people who were watching the fight and the fight rebel, destroy the merchant's store and go to other stores in the square. The police cannot control the situation. Late at night, a truce: the population goes to sleep, gathering strength for the following days, when the situation becomes unsustainable. The police withdraw from the streets, the Army begins to act and, on the tenth, puts the tanks on the streets.

Laços

L'età Sperimentale

Helena: Dom de Educar

Crenças no ensino

Pelé, a retired nurse, revisits his memories as a performer in the Boi Tira-Teima group from Caruaru, Pernambuco. Between longing for the past and the impossibility of celebrating Carnival in the present, he imagines what it would be like to return to Carnival one last time.

O Médico e a Propriedade