GREVE UECE DOCUMENTÁRIO

Ciclo da Reciclagem

Invicto2

In this original film from the multistreaming O POVO+, five supernatural narratives from Ceará intertwine in a suspense that blurs between reality and fiction. The exhumation of a body, a child with an unexpected attitude, the story of the woman in black, the house from which a character is expelled and a woman who hears and sees things "from another world".

Documentary about terreiro women in Fortaleza who occupy the highest positions in the hierarchy, subverting the patriarchal tradition of religious communities.

O ETERNO 3 a 3

Baile dos Reis

1984

Noites em Claro

Contos da Morte - A História de Lívia

Superpoderosas e o Elemento X

Aimée is a millionaire influencer who has all her family's assets blocked, except for a farm in the countryside of Ceará that she inherited from her grandfather. She leaves for the hinterland in an attempt to sell the property, but ashamed of the new reality, she invents that she will take a "sabbatical period" for a year. Thus, she will have to deal with her new life and sustain the lie on social media.

Míssil - Parte 1

Estranhas Luzes

Homens com Cheiro de Flor

Paris - an American who recently arrived in Brazil - and the Brazilian Thais begin a simple friendship sharing feelings and sensations, even if they do not understand a single word each othar says.

Duas Luas

Amid the chaos of the city of Fortaleza, Davinci seeks to follow his own paths. Origin is an invitation to the party.

Lost in the middle of nowhere, a pregnant Woman and a hopeful Man walk in search of Getting There, an unknown place where Hope reigns and the days are good. The Death, always lurking, tries to change the paths of the wanderers and transform their dreams into hopelessness. A seed given by Hope can change the course of the retreatants and take them to the long-awaited place of prosperity.

Quem Não Mexe

Since the 1960s, each presidential election has been an opportunity for the various parties in the running to present their campaign clips on French television. Sometimes overflowing with inventiveness, more often sober, even sad, and sometimes frankly of bad taste, they remain privileged witnesses of the political history of the country. By dissecting several recent or much older videos, José Bourgarel offers through this documentary a journey into an unknown microcosm, engaged in the realization of a most delicate exercise of communication and of which he unveils on this occasion all the workings.