Origem Demo Vídeo

This documentary presents two young women from Halifax who are organizing rock concerts to raise money for the group Eastcoast Against Racism. Bronwen and Yaffa believe that the universal language of music will help unite the community. At the same time, they struggle to renew their friendship with Scott, a former Ku Klux Klan member. This moving film is set against a vibrant soundtrack of punk and rap music.

Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.

MC battles are the basis of Rap and in São Luís, this type of manifestation has been growing organically in different peripheral communities organized by residents and local artists. Even without great incentives, the battles have spread throughout the city and created a network of creative ideas that oxygenate the outskirts.

Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.

A music documentary that tells the story of resistance against racism in Europe.

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.

In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.

Sadly our world is divided on the basis of race, religion, region and caste and violence became the norm of the day. What can we do to stop the violence that is committed by bigotry? One thing...if we imagine ourselves in the shoes of our victims.

Eleven college students from different backgrounds participate in a retreat to discuss their experiences of race and racial prejudice. The circle is facilitated by Lee Mun Wah.

France is at the heart of Madonna's life. She is inspired by French culture and its values and has surrounded herself with French artists for many years. To celebrate the 40th anniversary of the Queen of Pop's career, this film revisits the close and unique bond between Madonna and France and features testimonials from close collaborators and French friends who have helped create her unique artistic universe: Maripol, Jean Paul Gaultier, Julien d'Ys, Nicolas Huchard, and Marion Motin. Today's artists such as Florence Foresti, Leïla Slimani, Victor Weinsanto and HollySiz talk about the influence of this emancipating figure, which extends far beyond music.

Directed by Oscar-nominated and NAACP Image Award winner David Massey, this dynamic documentary explores why so many unarmed black people have been targeted and killed by police officers. The filmmakers talk to legal experts, activists and law enforcement officials who discuss the inequality within our criminal justice system and who confront the crucial question of how to prevent more violence in this country, including Black on Black deaths. As the Black Lives Matter movement - and citizens nationwide - question the accountability of our justice system in cases of police violence, When Justice Isn't Just is an essential addition to the ongoing discussion about reform and renewal.

Ponte Velha

As Americans head to the mall in preparation for the Christmas season, a haunting shadow threatens to unravel the season's true spirit, delivering an indictment against bigotry written on the back of a Christmas card.

The documentary mixes reenactments with true accounts from four characters/actors who tell the stories of six black gay men, their experiences and their romantic relationships crossed by racism and homophobia.

Jessica has little time to be a mother. It is on public transport - on the way between Nova Iguaçu and the South Zone of Rio - that she spends most of her time with her son Zeca. Young and black, Jéssica is always in a hurry: in addition to being a single mother, she is also a university student and intern at an advertising agency. Nothing comes easy for her. A former public school student, Zeca now has a scholarship to an elite school in Gávea, but he is no longer the happy, communicative child he once was.

Pour mes fils, mon silence est impossible

Documentary about terreiro women in Fortaleza who occupy the highest positions in the hierarchy, subverting the patriarchal tradition of religious communities.

Lost in the middle of nowhere, a pregnant Woman and a hopeful Man walk in search of Getting There, an unknown place where Hope reigns and the days are good. The Death, always lurking, tries to change the paths of the wanderers and transform their dreams into hopelessness. A seed given by Hope can change the course of the retreatants and take them to the long-awaited place of prosperity.

It is the evocation of a life as brief as it is dense. An encounter with a dazzling thought, that of Frantz Fanon, a psychiatrist of West Indian origin, who will reflect on the alienation of black people. It is the evocation of a man of reflection who refuses to close his eyes, of the man of action who devoted himself body and soul to the liberation struggle of the Algerian people and who will become, through his political commitment, his fight, and his writings, one of the figures of the anti-colonialist struggle. Before being killed at the age of 36 by leukemia, on December 6, 1961. His body was buried by Chadli Bendjedid, who later became Algerian president, in Algeria, at the Chouhadas cemetery (cemetery of war martyrs ). With him, three of his works are buried: “Black Skin, White Masks”, “L’An V De La Révolution Algérien” and “The Wretched of the Earth”.

Olhares sobre o racismo