Origem Demo Vídeo

This documentary presents two young women from Halifax who are organizing rock concerts to raise money for the group Eastcoast Against Racism. Bronwen and Yaffa believe that the universal language of music will help unite the community. At the same time, they struggle to renew their friendship with Scott, a former Ku Klux Klan member. This moving film is set against a vibrant soundtrack of punk and rap music.

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.

MC battles are the basis of Rap and in São Luís, this type of manifestation has been growing organically in different peripheral communities organized by residents and local artists. Even without great incentives, the battles have spread throughout the city and created a network of creative ideas that oxygenate the outskirts.

Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.

A music documentary that tells the story of resistance against racism in Europe.

Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.

Structured in two parts, the film uses the municipal newspaper, Le Journal de Béziers (later renamed Le Journal du Biterrois), to examine the city's management by Robert Ménard, elected mayor in 2014 with the support of the National Rally. By meeting with residents and activists, the film reveals the "behind the scenes" of this southern French city. It shows how this newspaper shapes a political and ideological line for a fundamentalist Catholic France, rejecting Muslims, while simultaneously seeking to control and monitor all its inhabitants. A vision of the far right in power…

What situations of violence do lesbians experience today? How do they face them? What are the underlying problems? What reality permits them to keep happening? What answers and strategies can we produce and put into practice as a society to do away with this and other forms of discrimination? Ten individuals explain their experiences and points of view, building a choral testimonial to bring male sexist violence against lesbians into the light, analyze the underlying problems, and seek responses and strategies to put an end to lesbophobia in conjunction with other types of violence.

Despite the perceived progress the world has made over the years, it's become increasingly clear that racism continues to run through our culture. This is abundantly apparent on the streets of London. This difficult documentary explores racism in today's climate through stories from people of various races.

In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.

Homens com Cheiro de Flor

A young victimized boy decides to confront his inner demons by drowning himself, and during the process finds purpose and meaning in his life.

A celebration of Black culture through music and poetry as members of Black Perspectives perform and later talk about their work in the context of racism, poverty, and community. This short video documentary features the work of gay activist Faith Nolan.

A low-intensity war is being fought on the streets of Europe and the aim is on fascism. This critically acclaimed documentary takes us behind the masks of the militants called antifascists. In 2013 a group of armed nazis attacks a peaceful demonstration in Stockholm where several people are injured. In Greece the neo-nazi party Golden Dawn becomes the third largest in the election and in Malmö the activist Showan Shattak and his friends are attacked by a group of nazis with knives and he ends up in a coma. In this portrait of the antifascists in Greece and Sweden we get to meet key figures that explain their view on their radical politics but also to question the level their own violence and militancy.

Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.

Washed-up revolutionary Bob exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa. When his evil nemesis resurfaces after 16 years and she goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past.

Racismo: Uma Descolonização Em Curso

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

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