The World Turning Honest With Liv Edwards

Meet the real-life airmen who inspired Masters of the Air as they share the harrowing and transformative events of the 100th Bomb Group.

A place to be at night in São Paulo.

When he arrives in Saint Petersburg, at the age of 29, Marius Petipa is just an obscure dancer who fled western Europe to escape his debts. He is far from imagining that his engagement in the troupe of the Russian Imperial Ballet, then rather mediocre, will reveal him, forty years later, as one of the greatest choreographers in the history of dance. It is within the Bolshoi Kamenny theaters, then Mariinsky, in a still provincial capital where three productions a year are enough to satisfy an undemanding audience, that this native of Marseille will invent a new art of ballet, over the course of sixty of creations, between 1862 (La fille du pharaon) and 1895 (Le lac des cygnes).

A documentary that explores the history of heavy metal music, horror films, and how the two genres have merged together over time.

The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.

"Smoke Signals" follows the volunteers at High Point Lookout, one of the last remaining fire lookout towers in California. Alternating between the daily duties of the fire lookouts, and a series of profiles on wildfires that have traced their history, "Smoke Signals" questions the role of the fire lookouts in the face of rapidly advancing technology and climate change.

Terrified of stories of girls bleeding to death, young Tanzanian children face a terrible choice: whether to submit to female genital mutilation and child marriage, or risk their lives and run away from home. Rhobi Samwelly, a brave local hero, stands up to her community and provides a Safe House to protect the courageous girls. Although female genital mutilation (FGM) is harmful and illegal, in Northern Tanzania it is widely believed that girls' clitorises must be cut off to reduce promiscuity. Mutilated girls also demand twice the bride price as uncut girls. The chillingly named 'cutting season' runs through the school holidays in December. Now, some of the most courageous girls in the world, some as young as eight, are leaving everyone they love behind to run to a Safe House, not knowing if they'll ever see their families again.

Olly Alexander is preparing to fulfil one of his biggest life ambitions - to represent the United Kingdom in the much-loved Eurovision Song Contest. Ahead of the grand final in May, Olly joins fellow Eurovision lover and commentator Graham Norton to talk candidly about competing in Sweden. As an extra treat for Eurovision fans, Olly reveals the first full play of the music video on TV for his Eurovision song Dizzy.

Aria Dean explores the black creative labour put into memes, images defined not by their content but by how they are circulated, mutated and compressed. While all memes lack attribution, Dean illustrates a palpable link between white appropriation of memes created by black people and a deeper lineage of theft and leering fascination.

Easter Island: Sculptors of the Pacific

"Come In" explores how Morse history is entangled with the history of the Spiritualist church. The Spiritualist Church was founded by the Fox sisters in 1850. They claimed that they were mediums who could communicate with the dead and they justified this ability by citing the new ability, through Morse, to speak with someone far away almost instantaneously. After fifty years of practicing Spiritualism, the sisters declared the religion a hoax, and many years later Morse code officially lost its role in the commercial realm. As Spiritualists continue to send messages to the dead in spite of the sisters’ statements, and Morse operators transmit messages into the ether with hope, Johnson asks: How do communication networks and technologies affect our calls and responses and make visible our desire for reciprocity?

Incredible video behind-the-scenes with the stars, Steven Spielberg, and see one of the last interviews with the legendary Stephen Sondheim.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Featurette documenting the making of the film "Death On The Nile".

Director Guy Hamilton and several of the stars of Agatha Christie's "Evil Under The Sun" walk you through the making of the film.

In his film "Far From Heaven", Todd Haynes refers very respectfully to Douglas Sirk's "All that Heaven Allows". Fassbinder was also strongly influenced by Sirk's work. Haynes now explains this double fascination.

Omnibus: François Truffaut

In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.