Girl Culture
A time capsule about change and loss during the death of Adobe Flash.
Documentary about terreiro women in Fortaleza who occupy the highest positions in the hierarchy, subverting the patriarchal tradition of religious communities.
Nested Sequence
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
Inès, of North African origin, has frizzy, unruly curls. But why should she bother straightening it? Where does this obsession with straight, neatly styled hair come from?
“Let them eat cake!” laughs a Marie-Antoinette from the dunes... Gaëlle loves to dress up. Under her wigs, Gaëlle plays with codes and the surprise her appearances provoke. Each of her wigs explores a part of her femininity, her self-confidence and her relationship with the gaze of others... Above all, all her wigs hide a secret.
Why do people vent such toxic opinions online? Filmmaker Kyrre Lien spent three years travelling the world to find out who these anonymous ‘internet warriors’ are and why they do it.
Éduquons nos fils
Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.
The Executive Empress explores the entrepreneurial lives of several Florida women, who have turned their unique passions into successful businesses.
A provoking film on the place of women.
Since the law of August 2, 2021, on bioethics, French women between the ages of 29 and 37 have the right to collect and freeze their eggs, free of charge, without medical reason, regardless of their marital status. From this simple law, and thus from this right, emerges a complex and fascinating reality.
This documentary offers a rare look at domestic abuse through the concept of coercive control. With exceptional access to hearings in Poitiers, Colmar, and Paris, Karine Dusfour captures the first French trials to address this form of psychological violence. The film shows how coercive control traps partners through constant monitoring, a hidden terror affecting hundreds of thousands of women and children in France.
A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.
A young Dutch girl (my mother, filmed by my father in-love). A little redhead (me, filmed by my father). Boys (my brothers). And through the images of flowers, animals and rallies (super 8s that were found): A chalet (Switzerland), dikes (the Netherlands). And my memories, childhood, teenage years mixed up with the history of women (of my family).
Under the shade of a Magnolia tree, a group of pregnant women gathers weekly. Among them is Teresa, an experienced midwife who listens to them attentively. Sitting in a circle, the women reflect on the impending birth of their children and their own emerging roles as mothers.
An experimental documentary about the spectacle of substance abuse on social media. More than 45 hours of footage, hundreds of pages of blog posts and interviews were distilled and remixed using glitch and cut-up techniques to insure anonymity, transcend the shock factor and unfold this complex, singular and stratified use of social media.
Liu Bo-Jiun is the first female international baseball umpire. “First” seems to be an honor, but in a male-surrounded baseball field, the first female must experience an unprecedented review. As she fixes her eyes on every pitch coming forward, people fix their eyes on every judgment she made. If judgments on pitches were personal out of technical aspects, how about those judgments on people? The game begins at three balls, two strikes and two outs. What about her?
Christine attends her first and last prom accompanied by Martin Fredericksen