About the extraordinary doctors and activists—including Paul Farmer, Jim Yong Kim, and Ophelia Dahl—whose work 30 years ago to save lives in a rural Haitian village grew into a global battle in the halls of power for the right to health for all.
“El apagón: Aquí vive gente” is a 23-minute film that explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.
A tropical fish shop in the East End of London, the last of what used to be many. Tiny, watery dramas inside fish tanks accompany the thoughts of local fish-keepers, while father and son Big Tel and Little Tel work to keep the shop alive.
Zombies are part of pop culture, but what are they? Where do they come from? To find real zombies we visit Haiti where Zombies are an integral part of the island's cultural and religious roots.
Andrómaco
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.
Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.
Montreal — one of the few remaining affordable cities in North America — is now in the midst of an unprecedented housing crisis. An intimate portrait of socio-political resistance, this multilayered film explores the human impact of real estate speculation on the cities of tomorrow.
Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.
Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic's Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Elena, the young protagonist of the film, and her family stand to lose their legal residency in the Dominican Republic if they don't manage to get their documents in time. Negotiating a mountain of opaque bureaucratic processes and a racist, hostile society around, Elena becomes the face of the struggle to remain in a country built on the labor of her father and forefathers.
La dérive douce d’un enfant de Petit-Goâve
Exiled after Haiti’s political struggles of the 90s, Mikerlande—a former activist and now entrepreneur—rekindles memories of resilience and commitment. Through griot, she shares a story of struggle, legacy, and strength, bridging past and present to preserve her heritage.
Evanston, a suburb just north of Chicago, touts its progressivism and inclusion. It was the first city in the U.S. to offer reparations for Black residents and every street corner boasts Black Lives Matter signs, but Evanston’s Black residents have a different story to tell. If you travel to the other side of Evanston, the historically Black ward, ‘For Rent’ signs are indicators of the thousands of Black residents leaving, gentrification encroaching, and streets becoming quiet. It wasn't always this way. There used to be a vibrant, thriving hub for the Black community at the Emerson YMCA. One in every five Black boys in Evanston were members, Nat King Cole played at the Y's prom, and for many residents, it became a second home. That was until the building was burned down in 1980. The destruction happened in the name of progress, despite the Black community's protests.
In the slum of Cité Soleil, President Aristide's most loyal supporters were ruling as kings. The five major gang leaders were controlling heavily armed young men; the Chiméres. The Secret army of President Jean-Bertrand Aristide. "Ghosts of Cité Soleil" is a film about Billy and Haitian 2pac. Two brothers. Gang Leaders of the Chiméres.
A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.
On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.
“Set against the rattle of shopping carts and the white noise of L.A. traffic... “Disco’d” is an unvarnished, moving look at the lives affected by the rising crisis of homelessness.” —Los Angeles Times