La dolce attesa

A 10-year-old, gender non-conforming student navigates his way through the school, in search of a safe washroom.

The first film Vegter made using image generation software that he wrote himself, consists of three parts, each with its own, formal starting-point. Gradual changes in the position, direction, movement, velocity and colour of the elements become apparent.

A boy realizes how will his life be in the present and future with or without his crush

Temps chimique

Lelaina was mellow, eating marshmallow.

Awena was left alone when war took him away from home.

Sofia's brains went missing, when mixing toasting with ironing.

Guy drinks strange liquid, sees some shit

After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…

A self-reflexive, multi-portrait film following the filmmaker, Emma Barda, and other queer artists exploring queerness and gender identity through their art. The film takes a deep dive on how queer / gender non-conforming people interpret and represent body and gender identity through various facets of art and identity, with the aim to showcase the unique and wonderful world of queerness.

This is a deserted black space that one tries to fill in. To the point of becoming totally submerged in color. One explores the chromatic circle, by turning around it meticulously. And by vertical unreeling, a process specific to cinema.

A father strives to give his daughter a perfect life full of happy memories, in spite of a troubling diagnosis and a partner overseas.

Sierra Madre as a woman threatened by corruption, with a child symbolizing the small and vulnerable people affected by the damage done to the mountain.

Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.

Diam's, the beloved icon of French rap, gave up everything at the height of her success. The young woman experienced a real descent into hell: depression, loneliness, and disillusionment in the face of suffocating fame. On the brink of disaster, she found refuge in religion. Rare archives, memorable music videos, and previously unseen testimonials reveal the violence of her success and her vital need to disappear in order to rebuild herself, choosing the shadows after the light.

Anything can happen when a watch stops and a movie cuts.

A Late Night

Julio and Damián are a couple that have just adopted smart and shy five year old Andrés. Damián dotes on the boy, his adoption being a life-changing moment for him, while Julio feels somewhat put upon as the bread winner in the family. Soon after, a family tragedy occurs that puts Julio at a cross road, and questioning his parenthood.