Hoa

Moje století

Forgotten Transports to Estonia

In the Bella Coola Valley, a haunting legend endures through generations as a filmmaker reckons with whether the stories of her ancestors can survive being held or if they were never meant to be captured.

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

Growing up, I heard many tales of my grandmother's life, before she was known as Mimo, and each narrative she told stuck with me and still impact my thinking to this day. I wanted to celebrate Mimo's wisdom and character, as well as capture the extraordinary within the ordinary. Hopefully I can inspire others to reflect on their own relationships with their elders and the untold stories that shaped their lives.

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

A grandson shows his grandmother how to navigate an iPad 2 full of clues for solving a puzzle. Over a phone call, she recites an email she wrote seven years prior.

When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind.

La mamie patineuse du lac Baïkal

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.

Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.

This video documentary centers on the questions of civil liberties and cultural differences in a society beginning to open as one woman searches for her own ethnic roots, identity and family history in Ukraine. Issues of human rights, anti-Semitism, homophobia, feminism and a divided and economically-depressed country are encountered as Barbara Hammer, a feminist activist and pioneer of lesbian cinema, return to a “homeland” full of struggling as people search for a new post-glasnost identity.

Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.

A multigenerational story celebrating director Sean Wang's two grandmothers, one on his father's side and the other on his mother's side.

“Bats of the Round Table,” an over dinner recollection of the original 1966 Batman TV series with Adam West and celebrity friends Kevin Smith, DC Entertainment Co-Publisher Jim Lee, radio personality Ralph Garman and actor Phil Morris.

In a nursing home, a young man visits his grandmother. As she constantly repeats that she wants to go home, his grandson visits her now empty apartment, seeking to capture memories of a fading past.

Otakar Vávra walks through Prague in front of the camera and with the camera, and remembers those who in the 1930s determined the pulse of the cultural and political life of that time.

Belarus between 1941 and 1944 was an apocalyptic place with nights lit by flames from hundreds of torched villages and with soil soaked in the blood of countless victims.