A Bad Name

Rezonancia

A lonely man falls in love with his ChatGPT companion, challenging the boundaries of love and what it means to be human.

Howard Finster, the grandfather of the Southern Folk Art movement was a pioneer that showed the world that Art can thrive outside of museums and galleries in ordinary places and in everyday objects. He took what others might deem trash or obsolete and turned it into something contemplative. He opened Paradise Garden for the world to enjoy, a true testament that Art comes to life, when people are able to interact with it. Howard Finster showed the world that objects surrounding us can take on a new life, in a sometimes-magical way, and communicate messages that can lead to transformation.

Bjørn Nørgaard and a team of Czech glass artists in the demanding process of creating a grave monument for Queen Margrethe and Prince Henrik of Denmark.

Odvaha

Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Eu, Punk

The people of Antiquity had little problem with nudity and would not find graphic depictions of sexual acts as morally suspect or obscene. But Christianity changed perspectives, bringing in notions of shame and the negation of the body. This documentary looks at the erotic in art over the last two thousand years.

Paying tribute to artist Noah Purifoy and his Outdoor Museum, Matthew’s film ‘A Desert Moment with Noah’ rapidly animates 78 still Super 8mm images like a slideshow gone haywire. Exploring the of elasticity of time, the film manipulates the essence of a moment as it periodically pauses to allow the viewer a space with various objects, surfaces, and textures within Purifoy’s Joshua Tree sculptural environment.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Documenting Graffiti culture in a basketball court in the Bronx. The filmmaker was accompanied by Martin Wong who said, "bring your camera". The Graffiti Hall of Fame is the result.

Carlo McCormick was invited to curate an East Village Art show at a gallery in Richmond, Virginia. Filmmaker Tessa Hughes-Freeland took filmic evidence of the infamous exhibition that featured downtown artists such as David Wojnarowicz, Marilyn Minter, Luis Frangella and more painting naughty murals while on acid.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

Scenes Seen with Allen Jones explores the motive of the artist's famed graphic works,, paintings and sculptures. The erotic overtones of Jones's work are both controversial and exciting, drawing the public's attention towards a new sector of the avant-garde. Jones is introduced in his London studio, where he is developing an idea for a new painting as he meticulously studies his model. During his days as a top member of the Pop Art movement in Britain, Jones evolved a singular genre of imagery: totemic forms of torso-less legs, sheathed in vinyl, which have become his artistic "signature."

Bacata is the first name of Bogotá: the lady of the Andes, the mountain that lights up. It's also the name of a tower, the tallest in Colombia, never completed. From the 28th floor, Laura observes the city, its secrets and its struggles. From the 28th floor of Colombia’s tallest building—a long-awaited, still-unfinished tower block in the centre of Bogota—Laura observes the city below, its secrets and its struggles, as a colourful cast of gardeners, activists, and human statues go about their daily lives in the shadow of the country’s history.

"Do you think I have a cute bottom?" From Brigitte Bardot's cult line in "Le Mépris" (Contempt), to Mireille Darc's iconic lower back, bottoms have long been the subject of every fantasy. And have often been represented in art! A story of eroticism, but also of censure