Punxploitation

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

Eu, Punk

With his startlingly outrageous behavior, GG Allin became one of the most infamous performers in the history of rock and roll. GG Allin: Live & Pissed 1988 contains a collection of live performances, television appearances, and interviews that pain a full portrait of the controversial singer. The DVD release of the documentary contains a San Francisco concert appearance.

Vans Warped Tour 2003

In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.

Die Toten Hosen - 3 Akkorde für ein Halleluja

La Polla Records - Levántate y Muere

Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

The death of punk icon and X-Ray Spex front-woman Poly Styrene sends her daughter on a journey through her mother's archives in this intimate documentary.

Los demenciales chicos acelerados. Pt 2: Barcelona y alrededores

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

At an underground rock gig in Bogotá, a young singer is just minutes away from his live debut. But everything is thrown off when he learns that Medusa is in the crowd… a girl who will plunge him into a terrible nervous breakdown.

A "life without work" - this is the idea propagated by the "Anarchist Pogo Party of Germany" (APPD). In order to spread its unique political concept and to make the background to its activities appear transparent and credible to the voting public, the APPD commissioned a renowned film production company to create a loose mixture of subliminal propaganda and sympathetic trivialization. The film was also to focus on the glorification of the APPD politicians appearing in the election campaign in order to create the basis for a profitable cult of personality. A film that makes it crystal clear, compelling and, of course, intentional that the mob is on its way to power.

The Spectacular Spinning Songbook made its first appearance in 1986 in Los Angeles during the "Costello Sings Again Tour." In 2011, Elvis Costello and the Imposters set out on The Revolver Tour and, for the first time in 25 years, once again allowed his set-list to be chosen by "The Spectacular Spinning Songbook," a monumental game-show type wheel spun by select fans and featuring songs from his latest critically acclaimed release National Ransom, plus new renditions of hits, rarities and very unexpected covers. This is the complete concert from the 12th May, including special guest appearance from The Bangles.

In the working-class suburbs of Melbourne, three friends are in the process of putting together the ultimate rock band; INN OF THE DAMNED. The only thing is they are missing is the perfect drummer. Over the course of one night, at their local pub, they meet a series of drummers but none of them live up to their lofty expectations.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.

In their early years, SNFU built an audience across North America through energetic live performances and a dynamic punk sound. Their 1985 debut album ...And No One Else Wanted to Play has remained influential in underground circuits. They grew in popularity following two further studio albums, but disbanded in 1989 due to internal tensions. SNFU reformed two years later, however, in a second incarnation which found greater success. They signed with the prominent indie label Epitaph Records, achieved six-digit record sales and toured in support of larger groups. They became independent in 1997 after the expiration of their contract with Epitaph. They again disbanded in 2005, only to reform two years later.

Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.