Stern: The Man, the Gang, and the State

A documentary film that brings testimonies taken just one week after the attack, from 7 different areas that were attacked in the events of Saturday, 10/7/23. The film is told from the point of view of the survivors. The evidence is unusually presented in the movie with the help of miniature models and animations that reinforce the hard evidence. The survivors share the survival experience they experienced during the long hours of the murderous terrorist attack. Those who ran away from the party, the houses they hid in, those who fought against the terrorists, and those who saved lives in the field. All with the choices they had to make in real-time, and saved their lives.

In Killing Gaza, independent journalists Max Blumenthal and Dan Cohen documented Israel’s 2014 war on Gaza. Yet this film is much more than a documentary about Palestinian resilience and suffering. It is a chilling visual document of war crimes committed by the Israeli military, featuring direct testimony and evidence from the survivors.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Never-before-heard eyewitness accounts from released hostages, survivors, and first responders during the October 7 attacks on Israeli towns and at the Nova Music Festival show the disgusting extent of the crimes of so-called Palestinian freedom fighters. Women and girls were raped, assaulted, and mutilated by members of the Hamas terrorist group and murderous Palestinians from the Gaza Strip who joined this mob. Released hostages have revealed that Israeli captives in Gaza have also been sexually assaulted. Despite the indisputable evidence, these atrocities have received little scrutiny from human rights groups and international organizations. Many leading figures in politics, academia, and media have attempted to minimize or even deny that they occurred. In this documentary, Sheryl Sandberg conducts in-depth interviews with witnesses and survivors of the events that reveal the full sad extent of the Hamas massacre.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

In Breaking Bread, exotic cuisine and a side of politics are on the menu. Dr. Nof Atamna-Ismaeel - the first Muslim Arab to win Israel's MasterChef - is on a quest to make a social change through food. And so, she founded the A-sham Arabic Food Festival in Haifa. There, pairs of Arab and Jewish chefs collaborate on mouthwatering dishes like kishek (a Syrian yogurt soup), and qatayef (a dessert typically served during Ramadan), as we savor the taste of hope and discover the food of their region free from political and religious boundaries.

Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.

MOURNING IN LOD, takes a microcosmic look at the Israeli-Palestinian conflict through Musa, Yigal, and Randa — three people whose fates become inextricably linked in a vicious cycle of violence. Lod/Lydd is a “mixed” city inhabited by Arabs and Jews who live side by side in a strained coexistence. In May 2021, two of these three people lost their lives and and one regained hers — thanks to an unlikely organ transplant. The outpouring of love, anger, forgiveness and sorrow that follows in their wake is a ray of light that offsets a collective state of mourning with no end in sight.

Me BaEsh VeMe BaHerev

A detailed investigation into the political and economic interests that, since the beginning of the 20th century, have pulled the strings of the arms trade, hidden in the shadows, feeding the shameful corruption of politicians and government officials and promoting a state of permanent war throughout the world, while they cynically asked for a lasting and universal peace.

Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.

Edward Said, Professor of English & Comparative Literature at Columbia University, was a prominent literary critic of the late 20th century and a leading spokesperson for the Palestinian cause in the US. Born to a Palestinian family in Al-Quds (Jerusalem) in 1935, he and his family were dispossessed in 1948 and settled in Cairo. Educated in the US, he lived in New York for many years. Said was a member of the Palestine National Council. After resigning from the PNC in 1991, Said wrote critically about the post-Oslo peace process, the political failures of Yasser Arafat and the PLO. Said was diagnosed with leukemia in 1991 and struggled with the disease while continuing to write and teach. He stopped giving interviews but made an exception less than a year before his death in 2003, speaking about his illness, work, Palestine, politics, life, and education. The last interview is the final testament of this passionately committed intellectual.

Edward Said, Professor of English & Comparative Literature at Columbia University, was one of the most prominent literary critics of the late 20th century and a leading spokesperson for the Palestinian cause in the US. In this episode, Said examines Western attitudes to the Arabs and finds their origins in the Crusades, Hollywood and European empire building. He sees the Palestinian fate as the result of years of Western interference. One of the ten episodes of The Arabs: A Living History.

"Write Down, I am an Arab" tells the story of Mahmoud Darwish, the Palestinian national poet and one of the most influential writers of the Arab world. His writing shaped Palestinian identity and helped galvanize generations of Palestinians to their cause. Born in the Galilee, Darwish's family fled during the 1948 Arab-Israeli War and returned a few years later to a ruined homeland. These early experiences would provide the foundation for a writing career that would come to define an entire nation.

The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

A documentary about the Israeli-Palestinian conflict that has lasted for more than 50 years. Contains some interviews with the children in this conflict.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.

The story of the Israeli military assault on Gaza. Seen through the eyes of children, journalists and doctors, Dispatches takes an unflinching look at the horrific challenges and heartbreaking loss. Made by 12 Palestinian film-makers who risked their lives to depict the ongoing assault, this documentary confronts us with the loss and suffering of people whose gaze we have met.