Serapio, Candelario´s son

Michelle

In March 2020, an Argentine woman flees New York with her Peruvian husband for his family’s empty beach house outside of Lima, whereupon an unplanned pregnancy precipitates the destruction of her marriage. In the present, she rips the moments of this narrative from their context, and reconstructs her story to reckon with her profound feeling of loneliness and the experience of time in which it has trapped her.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Podoby sveta

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

A documentary made for Konrad Mägi exhibition "The Light of the North" in Torino, Musei Reali (2019-2020), about Mägi's life and his legacy.

Henry’s and Fay's son Ned sets out to find and kill his father for destroying his mother's life. But his aims are frustrated by the troublesome Susan, whose connection to Henry predates even his arrival in the lives of the Grim family.

Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet, an essayist, a philosopher, and a leader of American modernism. Known for documenting the cultural elite living in France, Man Ray spent much of his time fighting the formal constraints of the visual arts. Ray’s life and art were always provocative, engaging, and challenging.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. This will be the start of a very unusual friendship. Over three years, the cinematic documentary follows the incredible story of the artist looking for her stolen paintings, while at the same time turning the thief into art.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

How do artists view their own work? How does actor Esko Salminen immerse himself in his roles, how does the writer/director Saara Turunen create a whole new world for the stage, and why does musician PK Keränen pick up his guitar time and time again? Is creativity a conscious or subconscious process, a pleasure or a compulsion? Veikko Aaltonen’s documentary takes us straight into the heart of creativity with artists from different fields and generations. Celebrating the various forms of passion and creative work, the film presents a compelling case for the significance of art.

Till Mia

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

Tilburg artist Tommy van der Loo searches for the influence of superiority thinking, racism and colour in his life. Van der Loo is an emerging artist and his work has been purchased by Boijmans van Beuningen in Rotterdam. He also had an exhibition at the Kunsthal. He also made the memorial for the abolition of slavery in Eindhoven. He has had multiple experiences with discrimination and incorporates that into his sculptures. Identity and image formation are important to him: How do you look at others, how do others look at you. The search is the inspiration for his new sculpture.

Sandy and Alejandra are two young women who live together with Lexa, an artist with a multiple personality who is preparing her new exhibition. however, the romance between these two personalities will be in danger, not only because of their inability to have physical contact but also because of the problems it generates for Lexa and the body they inhabit. therefore, Sandy and Alejandra must decide before it is too late.

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

Five female artisans from the Innu, Franco-Quebecois, and Zapotec peoples discuss their work. Their techniques, objects, and textile traditions give rise to stories that overlap. Their clothing reflects on identity and otherness.

A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.

A boy in New York is taken in by a wealthy family after his mother is killed in a bombing at the Metropolitan Museum of Art. In a rush of panic, he steals 'The Goldfinch', a painting that eventually draws him into a world of crime.