Archie Shepp chez les Touaregs

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

Common sense says you can't make a living in America playing avant-garde improvisational jazz. But Ken Vandermark does it anyway. Among musicians, Vandermark's work ethic is almost mythic. The Chicago reed player has released over 100 albums with nearly 40 ensembles, spends over eight months per year on the road, and lives every other waking moment composing, arranging, performing—and trying to discipline his two hyperactive canines. Though Vandermark was the recipient of a 1999 MacArthur genius grant, he still spends most of his life in smoky clubs and low-budget recording studios, hoping people will plunk down hard-earned cash to hear his wholly non-commercial music. Following the artful cinéma vérité style of the internationally acclaimed Sheriff (Work Series #1), Musician (Work Series #2) forgoes all interviews and voice-overs. It is a fly-on-the-wall time capsule that expertly captures every subtle sound and texture of this most American of art forms.

The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.

A tribute to Charles Mingus.

Madrid, Spain, June 30th, 2016. Rafael and José Luis jam a crazy one-day trip in search of the city's jazz scene, meeting the musicians, the club owners, the audience, the true believers who tell the story from the beginning, back in the 1950s, until the last breath of this memorable day.

After a divorce with her childhood friend, arrogant socialite Tracy Lord is remarrying but her ex-husband in still in love with her. Meanwhile, a gossip magazine blackmails Tracy's family into covering her new wedding. A musical remake of the 1940 romcom The Philadelphia Story.

Young Cab Calloway's mother is concerned, because Cab spends his days listening to the radio, pretending to lead a miniature orchestra. A deacon passing by the apartment hears him singing and advises him go to his wife's gypsy tea room. As she reads the tea leaves, she sees situations which lead to Cab and his orchestra performing musical numbers.

The documentary film on the life and legacy of Rahsaan Roland Kirk – a one of a kind musician, personality, activist and windmill slayer who despite being blind, becoming paralyzed, and facing America’s racial injustices - did not relent.

Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history of the Algiers Cinematheque, inseparable from that of the country's Independence, through film extracts and numerous testimonies; notably that of one of its creators, Jean-Michel Arnold, but also of filmmakers such as Merzak Allouache and critics such as Jean Douchet. A place of life for Algerians, the Cinémathèque was the hub of African cinemas. Created in 1965 by Ahmed Hocine, Mahieddine Moussaoui and Jean-Michel Arnold, the Cinémathèque benefited from the excitement of Independence. The Cinematheque becomes a meeting place for Algiers society, future filmmakers find their best school there. In 1969, the Algiers Pan-African Festival brought together all African filmmakers, and from 1970, Boudjemâa Kareche developed a collection of Arab and African films.

An account of the life of the brilliant jazz musician John Coltrane (1926-67), a gifted saxophonist, an extraordinarily talented thinker whose original, avant-garde work has impacted and influenced people all over the world. A story about music's ability to entertain, inspire and transform.

Ahmed Malek’s name might have been forgotten by his fellow Algerians but his timeless tunes certainly haven’t. Called the Ennio Morricone of Algiers, he composed music for more than 200 movies, amongst which the most famous films of the Algerian New Wave in the 70s and the 80s can be found. Paloma Colombe, a DJ, digger and documentary director, went to Algiers to meet his daughter, friends and former coworkers. Images of the city by night offer a perfect background to Ahmed Malek’s music. Globetrotter, pioneer of electronic music and of the concept of the home studio, he created a unique sound that truly goes beyond genres and countries.

Recorded Live on July 18th, 1986 at "Montreux Casino", during the Montreux Jazz Festival (Switzerland)

"Bad Woman Blues - Beth Hart" celebrates the music and voice of a woman who enriches rock and blues with emotion, authenticity, and honesty.

Presenting the world's greatest jazz singer accompanied by The Tommy Flanagan Trio.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Boing, We'll Do It Live! is the first live album of The Aristocrats, released on December 10, 2012. Footage and sound for this release were recorded in two concerts held at Alvas Showroom in Los Angeles, California. During those concerts the band played material from their debut album as well as songs from each band members' solo projects. The album was released on double-CD and DVD. The deluxe edition consists of both the DVD and the two CDs including two bonus tracks not featured on standard editions.

In an age when women were incapable of joining the artistic dialogue, Lilias Trotter managed to win the favour of celebrated critics.

It is the evocation of a life as brief as it is dense. An encounter with a dazzling thought, that of Frantz Fanon, a psychiatrist of West Indian origin, who will reflect on the alienation of black people. It is the evocation of a man of reflection who refuses to close his eyes, of the man of action who devoted himself body and soul to the liberation struggle of the Algerian people and who will become, through his political commitment, his fight, and his writings, one of the figures of the anti-colonialist struggle. Before being killed at the age of 36 by leukemia, on December 6, 1961. His body was buried by Chadli Bendjedid, who later became Algerian president, in Algeria, at the Chouhadas cemetery (cemetery of war martyrs ). With him, three of his works are buried: “Black Skin, White Masks”, “L’An V De La Révolution Algérien” and “The Wretched of the Earth”.

Bob James made his name in fusion and smooth jazz, but some of us believe the pianist’s acoustic trio records represent his highest art. His 1996 album Straight Up, with bassist Christian McBride and drummer Brian Blade, and 2004’s Take It from the Top, with bassist James Genus and drummer Billy Kilson, are career highlights and gems of their genre. Those records will never escape the shadow of 1978’s Touchdown or 1975’s One, but now James gives us the best of both worlds, revisiting his biggest hits in a trio format and tossing in other tunes. Despite its title, Feel Like Making LIVE! isn’t a concert recording. It was recorded “live in the studio” with old pal Kilson and young bassist Michael Palazzolo, who’s been in James’ bands for several years now. Rather than swing like a bop trio, they play classy, R&B- and pop-tinged jazz that’s both accessible and adventurous.

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.