Archery Tactics for Deer

This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.

Witness the most exciting hound and boar action ever filmed.

Hunters have disappeared from wildlands without a trace for hundreds of years. David Paulides presents the haunting true stories of hunters experiencing the unexplainable in the woods of North America.

Wildgnorance

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

An in-depth review of tree stand safety from hunting expert L.J. Smith.

Argentinian short film which shows local fauna and hunting.

A dive into the world of a theatrical tradition with riders in classical costumes, hunting horns and bloodhounds. The drag hunt is a hunt without guns, where you do not hunt an animal, but a piece of cloth. It seems to be something of this time, but drag hunting is still under pressure. Can this age-old tradition survive in modern society? How do the riders view this spectacle full of etiquette?

This is the untold story of a Nazi vision, that went far beyond the military conquest of European countries. As part of their crazed dream to create a thousand-year Reich they developed detailed blueprints for Aryan settlements and vast hunting parks for ‘Aryan’ animals. Goering and Himmler employed Germany’s best scientists to launch a hugely ambitious programme of genetic manipulation to change the course of nature itself, both in the wild and for domestic use. In a fascinating blend of politics and biology, Hitler's Jurassic Monsters is the true and asthonishing story of how the Nazis tried to take control of nature and change the course of evolution.

A young boy from the Dakota prairies grows up heeding the "call of the wilderness." He hunts for pheasant in the Illinois cornfields; ducks and geese in the northern lakes; deer in the Dakota Bad Lands; mountain sheep, goats, caribou, moose, and mountain lions in British Columbia and the Yukon; and brown bears on the Alaskan peninsula. He fishes in British Columbia's mountain streams for grayling and along the Bering Sea coast for trout. The film includes footage of swans, eagles, cnd ptarmigans; a beaver colony repairing a dam; battling rams; and sheep at rest in the mountains.

A group of outdoorsmen demonstrate duck hunting as a preliminary to traveling the various hunting and fishing centers of the world. They begin their journey with a trip to the Rocky Mountains to hunt elk and mountain lions and to fish in the freshwater lakes. They travel to Lac la Ronge in Saskatchewan and to Anchorage and the Katmai Peninsula in Alaska to fish for trout, salmon, and grayling and hunt moose and bear. In the Arctic, the hunters go with a group of Eskimos for their biggest catch, the polar bear. The hunters travel south by plane, to the Fishing Club of Panama to fish for marlin, tuna, shark, and dolphin in the Gulf of Panama. In South Africa and the Zambesi River basin, they often hunt with only a camera. Accompanied by native beaters, they hunt elephants, antelope, buffalo, crocodiles, and hippopotami. As conservationists they capture some almost extinct white rhinoceros and take them to a game preserve for protection.

Semi-documentary exposé of scandalous hunting practices in the Sologne, a wooded area south of Orléans where he shared a house at the time. The film, part tribute to Jean Renoir's The Rules of the Game (1939) and its celebrated hunting scene, is notable for its cinematography by Polish director Walerian Borowczyk.

Archery expert Howard Hill and a cameraman go to Wyoming to film this wild-animal three-reel short. Besides the scenery, the scenes include a buffalo killed by an arrow shot by Hill (for food); a wildcat and a coyote in a battle, and a fight-to-the-death between a mother bear protecting her cubs against a killer male bear.

Mosha Michael made an assured directorial debut with this seven-minute short, a relaxed, narration-free depiction of an Inuk seal hunt. Having participated in a 1974 Super 8 workshop in Frobisher Bay, Michael shot and edited the film himself. His voice can be heard on the appealing guitar-based soundtrack…. Natsik Hunting is believed to be Canada’s first Inuk-directed film. – NFB

This short follows two duck hunters in the Sacramento River Valley.

Etthén Heldeli: Caribou Eaters travels with Déné First Nations people in Canada’s north, as they search for the species so vital to every aspect of their lives – the barren-ground caribou. The documentary is a celebration of their rich ancient culture, and a visual document lamenting their traditions that could vanish, if the caribou disappear.

Duck archery is not the same as duck hunting. This is a Pordenone moment I will never forget – in actuality short Distraction et Sport à Batavia (1909), the residents of what is now call Jakarta make the most of their leisure time by pursuing a variety of mostly healthy exploits. But really, I can see no justification, nor explanation for why a round of archery needs to be enlivened by affixing live poultry to the target. As my good man Peter tweeted at the time: “One right in the neck, yeesh.” Sensitive viewers should be aware that animal cruelty abounds in silent cinema – the most notable, and egregious, example is Edison’s notorious Electrocuting an Elephant. The most poignant fictional example is perhaps the poor horse in Eisenstein’s October. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)

Sea Trip

Every single day in South Africa at least two to three captive bred or tame lions are being killed in canned hunts. And hundreds more are slaughtered annually for the lion bone trade. The Blood Lions story is a compelling call to action to have these practices stopped.

Recorded by pioneers as far back as 1805, the Tasmanian tiger has become an intensely mystifying Australian icon, whose entire existence has become the stuff of both fable and legend. This program investigates a chequered past and puts the speculation into perspective, taking into account the tragic culling and ‘bounty era’ where the carnivorous creatures were thought to be solely responsible for a considerable loss of farmers’ livestock. Balancing the facts with personal reflections from Tasmanian locals, scientists and other informed practitioners, The Tasmanian Tiger is a thought-provoking and revealing look at the extraordinary life and death of one of Australia’s most mysterious marsupials.