(dey/dem): a choreo-doc

Hit Him on the Head with a Hard, Heavy Hammer departs from the handwritten memoir of the filmmaker’s father and his experience of displacement during wartime. Referring to the notion Thomas Hardy termed ‘The Self-Unseeing’ in his eponymous 1901 poem, the film returns to childhood and the matters that harden us: upbringing, social status, education, labour, and familial bonds. The memoir weaves into the film as both a contemplation on mortality and an illustration of fading memory, reflecting on how we pen our pasts and how they can be re-told.

3STIGIA

Angolan director and screenwriter Pocas Pascoal reminds us that it’s time for a change, proposing through this film a look at colonialism, capitalism, and their impact on global biodiversity. We observe that the destruction of the ecosystem goes back a long way and is already underway through land exploitation, big game hunting, and the exploitation of man by man.

Cinquenta e oito semanas

A being from the beyond returns to Chile in 2019, embodied in a worker who dreams of social upheaval. Viral videos intertwine with fiction to narrate the experiences of a polarized country that wanders between drama and absurdity, illusion and failure.

In a world where freedom is constantly under threat, democratic societies are always on the lookout to ensure that the hard-won conquests of the historically recent past are not rolled back, but rather evolve towards individual and collective freedoms of expression and coexistence. (Khalil Charif)

Three women engage with the medical system to confront strange dreams that may not belong to them. Early one morning, I regained consciousness in a hospital bed as the sun was coming up. I was sixteen. First thing I heard was the news: Princess Diana had died in a car accident. Two hours earlier, I was hitchhiking home from a party with friends. We were picked up by a Toyota hatchback; the driver was drunk, but we were desperate. At the bottom of the twisted mountain road we crashed into the wall surrounding my town’s cemetery. As I watched updates on Diana from my hospital bed, images of her smashed-up car crept into my mind and imprinted as my own. (Yuula Benivolski)

Bounded Intimacy (part of the trilogy of Super 8mm shorts It’s Just Business, Baby) examines the histories of various forms of body labor across the Chelsea and Tribeca districts, renowned as a sites for sex work, sex clubs and illicit sexual activity. Bounded Intimacy explores the seduction of a nameless woman and the camera. The relationship between the two remains unknown and ambivalent as to whether or not the encounter is “authentic.” The nature of their relationship is irrelevant as the camera captures the authenticity of the desire in the encounter between the two. (Ayanna Dozier)

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

A first person journey through a lunchtime adventure as he finds himself enthralled by a masterpiece.

Vigiai e Orai - a cultura do medo no Brasil

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.

Two instants separated by 99 days conflict with each other.

After the death of my only brother I found rolls of undeveloped film. This documentary is a reenactment of those stills and an exploration of the aspects of my brother's life that I didn't know.

An experimental short film about wind and sunlight sweeping across tree leaves.

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

Skating through the night filming whatever catches the human eye in an urban neighborhood.

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.