Torn between the desire to protect his little brother in a violent world and the longing for the utopia of a queer community, Hector (23) embarks on a journey between reality and fantasy to reflect on his own experience of violence and to find closeness to his brother again.
"Public Domain" is a short film we shot in honor of those who support us with daily entertainment throughout this apocalypse. It's a love letter to cinema and a call to arms. Don't let the medium die.
Ergui as Mãos aos Céus e Não Havia Mais Luz
After a Hollywood agent suffers the loss of her biggest client and closest friend, she is asked to represent an AI version of the deceased actor.
In a dimly lit jazz club, a widower cinephile battles his buried desires. That's until he stumbles upon a mysterious cinema that unveils his suppressed longings and leads him on a journey of self-discovery through his enigmatic reflection.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Hana is an LGBT master painter. she has been rejected from Iranian society because of her sexual orientation. At the age of 9, she showed her interest in a girl for the first time. For this reason, the family also rejected him. Hana is ready to do anything to save her lover because of the many tensions she has gone through in her life.
Los Colores Pardos
Set in a dimly lit, nearly deserted cinema hall, the film follows a protagonist whose encounters with a fellow moviegoer, a projectionist, and the presence of an unseen voyeur take on a charged, sexual undercurrent. As boundaries between experience and liminality blur, the cinema hall becomes a space of shared, ambiguous encounters where desire, tension, and vulnerability intertwine.
The year is 1968. Five teenage boys dream of running a movie theater in which they will not show pro-war films. One summer afternoon Giò, Delfo, Max, Ricky and Paolo learn to become trusted friends, indispensable to one another.
273 KELVIN
A woman goes to her safe place, the movies. She reflects on the ritual of understanding humanity in the darkness only to complete the unspoken agreement between the movies and the audience.
Experience the 1990’s and the end of a millennium in the sixth installment of the “Tour de Cinema” series.
Dive headfirst into what many believe to be the most influential decade in filmmaking, the 1970’s.
A Hollywood filmmaker (Mike Jittlov) makes a short for an evil film studio. Unbeknownst to him, the producer has placed a bet of $25,000 that he won't come up with anything with a use. Luckily, our film creator gets the help of his friends.
When a renowned film director, clashes with the young son of a house she's using as a filming location, a power struggle ensues, forcing the director to confront her own arrogance.
When returning to his hometown with his ill mother, Marlombrando meets again his father and the Drive-in cinema where he spent his childhood. Almeida keeps the cinema functioning with the assistance of only two employees: Paula, who takes care of the projection and the snack bar; Jose, an old friend of Almeida, who helps selling tickets at the cashier and cleaning up the place. The arrival of Marlombrando and the demolition threatening of the Drive-in will bring new directions to their lives.
On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn". As the film plays, the lives of the theater's various employees and patrons intersect, and two ghostly actors arrive to mourn the passing of an era.
A shy movie fan must overcome his confidence issues when he and his crush, the theater concession stand girl, are pulled into a 1930s adventure film by its fiery heroine.
In the last days of their tumultuous relationship Julian and Lara are confronted with a life changing event and now must bear the consequences.