Live Is Smile Always ~ Mega Speaker ~

Live Is Smile Always -Never Ending Glory- at Yokohama Arena (the Sun)

Set in a post-apocalyptic world, a group of six musicians discover that music can help cure those infected by the zombie virus.

Features LiSA's performances at the concert "LiVE is Smile Always ~ASiA Tour 2018~" and a documentary on the tour.

Filmed with four cameras, over two shows at Union Hall, Brooklyn, on October 27th, 2008, this film is especially for those of you who miss the live experience: the sweat, the proximity, the forgotten lyrics. This is far better than a Zoom show with me sitting at my desk: it looks and sounds beautiful. It’s what you really want to see (as opposed to being the only thing we can bring you) and it’s the absolute closest thing to being at one of my shows. And - as luck would have it - I’m playing all your favorite songs. How do I know? Because we asked you to choose the setlist way back then, and you did.

The first omnibus film starring "BiSH", also known as “The punk band that doesn’t play any instruments”. A collaboration with six different directors to create a unique experience that reveals new aspects of "BiSH", from drama to arthouse.

Features LiSA's performances at the concert "LiVE is Smile Always～LiTTLE DEViL PARADE～" held on June 24, 2017 at Saytama Super Arena

I、D、Z ～LEGEND "D" SU-METAL Birthday Festival (I、D、Z ～LEGEND "D" SU-METAL 聖誕祭; I、D、Z LEGEND "D" SU-METAL Seitansai) was a concert held on December 20, 2012, at Akasaka BLITZ in Tokyo, Japan. This show celebrated SU-METAL's 15th birthday.

I、D、Z ～LEGEND "Z" was a concert held on February 1, 2013, at Zepp Tokyo in Tokyo, Japan. The show concluded with the announcement of their next concert, LEGEND "1999", confirming the continuance of their group activities. SU-METAL had recently graduated from Sakura Gakuin, and there was much anticipation regarding her future endeavors with BABYMETAL.

Live DVD release from Eric Martin featuring footage of his live in Tokyo. Also includes music video, interview, and more bonus video footages. Limited edition includes live CD featuring audio of "Live at Shibuya Duo" on March 4, 2009.

An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

This exploration of Japan's fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies.

A concert film documenting Taylor Swift's record-breaking Eras Tour (2023-2024). Filmed during the Los Angeles shows, the film captures the tour's ten acts, each representing a different musical era from Swift's career. The film showcases over 40 songs, elaborate stage productions, and Swift's performance.

Three families struggle to find their true selves and their soulmates in a world full of expectations, pressure and obstacles. Inspired by real events, this film shows how they pursue their dreams and potential without losing themselves.

BABYMETAL's "Live at Tokyo Dome: Red Night" concert was a monumental event in the band's career, showcasing their impressive rise in the music world. Held at the iconic Tokyo Dome, this performance drew a massive audience, highlighting the group's immense popularity in Japan and internationally. The "Red Night" theme was reflected in the stage design and lighting, creating a dramatic and visually captivating setting. Su-metal, Moametal, and their backing band, the Kami Band, performed a dynamic setlist that included hits like "Karate" and "Road of Resistance," delivering a powerful blend of vocal prowess, intense metal riffs, and synchronized dance moves. This concert not only demonstrated BABYMETAL's unique genre fusion but also cemented their status as a major live act in the global music scene.

The "Live at Tokyo Dome: Black Night" concert was a monumental finale to BABYMETAL's World Tour 2016, held at one of Japan's most iconic venues. This performance, part of a two-night event, showcased BABYMETAL at the peak of their theatrical and musical prowess. Su-metal, Moametal, and Yuimetal performed a diverse setlist that spanned their entire repertoire, including epic renditions of songs like "Karate" and "THE ONE." The massive stage production, complete with elaborate lighting, pyrotechnics, and moving platforms, created a visually stunning spectacle that matched the intensity of their music. The Black Night concert was not only a display of BABYMETAL's dynamic ability to fuse metal and pop but also a celebration of their global success and cultural impact, drawing thousands of fans from around the world.

LEGEND "1997" SU-METAL Birthday Festival (LEGEND "1997" SU-METAL 聖誕祭; LEGEND "1997" SU-METAL Seitansai) was a concert held on December 21, 2013 at Makuhari Messe in Chiba, Japan. This show celebrated SU-METAL's 16th birthday and marked BABYMETAL's first solo arena live performance.

LIVE ～LEGEND I、D、Z APOCALYPSE～ is the first video album by Japanese heavy metal band Babymetal. The album contains live footage of three shows, entitled Legend "I", Legend "D", and Legend "Z", respectively (spelling out the initials of "Ijime, Dame, Zettai"), performed in Tokyo from late 2012 to early 2013.

John Denver achieved fame, fortune, and acclaim for his iconic country-pop music, but his sunny personality masked private pain and dark secrets that his celebrity could never heal.

The Japanese pop music duo Pink Lady are circus performers who show kindness toward a captured "monster," a sad, furry being (played by a man in a bulky, over-sized pink acrylic costume) who suffers acts of unusual cruelty by the keeper and ringmaster before the girls escape with the creature in a circus trailer.

On the evening of August 12, 1978, Waylon Jennings and The Waylons performed on the concert stage of the Grand Ole Opry in Nashville, Tennessee. The master recordings of this concert were never released and had been locked in the vaults of RCA Records, long forgotten since 1978. The songs embodied in this performance capture Waylon Jennings and his band at the height of the country music "Outlaw" period, ample evidence of the extraordinary and individualistic writing and singing talents of Waylon Jennings. Now presented for the first time in its entirety, exactly as it was recorded on August 12, 1978.