The Abyss of shadows

In 'Queen of Vikretamandi, we follow the stories of three female street vendors in Mumbai. Each woman faces her own challenges but also enjoys her victories. The documentary shows their strength and hard work. It creates a close and powerful picture of how they survive and thrive in a busy city that is always awake.

Lin Rilang, a father and husband whose son is diagnosed with an enlarged heart, gives all his efforts to collect money for his son's operation.

It is the year 2028 and antibiotics are no longer effective. A corporation called Lifeline has invented a health chip which everyone can get for free via the NHS. You can buy an upgrade which is effective against more infections and diseases. In 2028 computing and processing power is restricted however for someone to have an upgrade some one has to die for the power to be transferred. People are dieing randomly. Lifeline are launching their 2nd upgrade which is expected to earn them billions along with their ministerial backer. Daniel Avery has lost his wife and daughter in such circumstances and recent nightmares and flashbacks have instigated him to investigate. He slowly uncovers the truth with the help of a rebel group of the pull for power and greed that goes right to the top.

Amelia and Wes have had a falling out in Japan, a foreign land neither of them are accustomed to. While doing some soul-searching on her own, Amelia begins to notice that she's being stalked by a strange man. Wes pleads with her to come back for her own safety - but Amelia's about to find that sometimes the most familiar faces are the most misgiving.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Gangster and criminal Don, Suraj Rana, who is also known for his kindness, adopts a street urchin named Arjun, and teaches him all the tricks of the trade, so that he can succeed him, even though he has a son named Karan. Arjun and Karan grow up as brothers, and Arjun takes charge of all criminal activities after Suraj passes away. Karan has fallen in love with Bindiya, the daughter of Suraj's deceased employee, and would like her to marry him. But Bindiya is in love with Saahil, and only likes Karan. Karan now decides to take the matter into his own hands, and thereby force Arjun to take sides either for him or against him.

Childhood friends Suresh and Vinnie want to become successful dancers. To fulfill their dreams, they form a dance group with their friends and compete in a hip-hop contest in Las Vegas.

Manisha is in a live in relationship with a married man Prakash. However, she does not want to break Prakash's marriage with Anuradha. Anuradha also finds her marriage unhappy. Prakash wants both, his marriage and relationship with Manisha. The fourth angle of this triangle is the tussle between tradition and free will, which stops individuals to do what they actually want.

Dinanath Shastri (Madanpuri) is a devout Hindu firefighter. One day his son, Shankar (Mithun Chakraborty) brings home a young girl, Salma (Rameshwari) as he felt sorry for her. Dinanath thinks she is Hindu and calls her Shanti, and thinks of making her his daughter-in-law, as she nurses him and looks after the entire household after he has an accident. One day Dinanath meets with a blind man who he recognizes as Dr. Varma (Om Shivpuri), who he has known for many years. Dr. Varma's daughter, Neetu (Ranjeeta Kaur) and Shankar were childhood sweethearts. This news breaks Salma's heart but she does not let anyone know. Dr. Varma's arch enemy the wealthy, powerful, and seemingly generous Agnihotri (Amrishpuri) finds out he is alive and sets his goons out to kill him. Why would a rich and generous man want to kill a harmless blind man? What will be the reaction of the devout Dinanath when he finds out that Shanti is Muslim?

In order to assist her close friend, Rajni Thakur, Geeta Choudhary, has an abortion in her name, so that Rajni can get married. When her secret gets leaked out, Geeta's husband, Ashok, blames her, accuses her of being unfaithful, and drives her out of his house. They have twins, Sunil and Anil, and each parent is allowed custody of one child. The children meet each other at Scout camp, and decide to re-unite their parents, without realizing that they are exposing not only them, but also each other, to danger and death.

Attorney Walter Colby has ties to the mob, but he begins to regret his criminal affiliations. When his girlfriend, showgirl Flaxy Martin, who also has shady connections, becomes a suspect in a murder, Walter takes the fall. However, on his way to prison, he escapes, determined to bring the real killer to justice.

A society woman gets involved with a gangster only to find he has hidden plans.

Still Awake is a film that explores resistance and stasis through the consciousness of the body movement and the stillness of a woman in bed.

A love triangle where everybody is blackmailing the other two gets a nasty upset when one of them is suddenly found murdered.

When the groom is killed on the morning of an arranged wedding, the bride's aunt quickly arranges a marriage to a blind singer.

In the early 20th century, Lazar -a taciturn woodsman- asks the disenchanted portraitist Arkadi to immortalize his child. The execution of this portrait will unsettle both men while revealing their inner fears and change their outlook on life.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

During Thanksgiving week, two college friends interview a group of students who have seen the ghost of a deceased father.

When a friend calls in the middle of the night, anybody would worry about the reason. Hesitant and curious, a friend embarks on a journey with an unknown destination. His only clues are a shovel in the back and the stoic expression worn in the driver’s seat

Lou is a young man in trouble who becomes paranoid because of the pressure of two mysterious judges.