An advertising man, young, casual and a yuppie, stands up his girlfriend and suddenly finds himself relegated to the role of the fifth wheel, which seriously questions his self-esteem.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
A commercial artist with a lisp chooses silence, unexpectedly propelling his career. His perceived innovation leads to rapid advancement in an ad agency. Mueller-Stahl shines in this biting critique of East German workplace culture.
A rich farmer is well known for being very unkind. He's misanthropic, misogynous and cantankerous. Until he meets by chance a gorgeous girl...
Cargas D’Água” is an authorial and regional Brazilian musical written and directed by Vitor Rocha (author of Casusbelli) which, because it does not need great resources and has a short duration, is nicknamed “a pocket musical”. It's a story that begins right in the middle of Brazil: in the hinterland of Minas Gerais. A boy loses his revered mother and ends up forgetting his own name, because his stepfather, now the only member of the family, only calls him “kid”. But everything changes when he makes a friend, nothing ordinary, a fish, and starts to see his whole story with different eyes. Now he has a mission: to take his friend to see the sea.
A drought has brought the town of South Park to the brink of disaster.
two people decide who will save a dog inside their pool.
A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.
A woman gets stuck in a Red Lobster commercial, in Robin Comisar’s horror-comedy that won Best Short at the Overlook Film Festival.
Everyone has a skeleton or two in his or her closet, but what about the director behind some of the most successful thrillers ever to hit the silver screen? Could M. Night Shyamalan be hiding a deep, dark secret that drives his macabre cinematic vision? Now viewers will be able to find out firsthand what fuels The Sixth Sense director's seemingly supernatural creativity as filmmakers interview Shyamalan as well as the cast and crew members who have worked most closely with him over the years. Discover the early events that shaped the mind of a future master of suspense in a documentary that is as fascinating as it is revealing.
During World War II, an innkeeper vows to abstain from alcohol for the sake of his family. Years later, as they thrive in Normandy, his resolve is tested by a charming advertising professional who loves to drink.
Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.
Two drunks fight with their wives and then go out and get even drunker.
When a marriage is threatened by a long excursion for work, domestic trouble is buffeted by family and friends.
A series of loosely connected skits that spoof news programs, commercials, porno films, kung-fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.
An advertising man is slowly sliding downhill. When he is fired from his job in Detroit, he signs up for unemployment. One day they find him a job: teaching thinking skills to Army recruits. He arrives on base to find that there is no structure set up for the class.
Edward Kaminsky, an aging ad man, wants a golden parachute from his agency; he must first land the Opel auto contract. Rosa, a youth with wealthy parents, wants to establish herself as an artist. The clumsy and enthusiastic Viktor, not quite honest, wants work. When he wanders into Kaminsky's meeting with Opel and says something about irony, the Opel director wants him in on the campaign. Then he steals an idea from Rosa that the Opel director loves. Before Rosa discovers he's expropriated her idea, Rosa and Viktor become lovers. Father-son feelings materialize between Kaminsky and Viktor. Can the impulsive Viktor hold it together before Rosa learns the truth and flies away?
Television programming takes it on the chin in this ribald spoof of the networks.
Comedian and actor Joe Valencia returns home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to the Filipino-American community.
A hilarious collection of animated television commercials that were rejected because of their creator's failing grip on sanity.