A short documentary about the former judoka Marina and her Judo Club for People with Disabilities - "Fuji". Its brave members cope with all things Judo and real-life challenges, but always with a smile and the heart of a true judoka.
An homage to the late actor Philip Seymour Hoffman.
It is an investigation into the loaded, transforming topography that is already palpable in the landscape, before we actually understand what language it creates for our society.
The Born at Home documentary explores and uncovers the empowering journey of homebirth, shedding light on the often overlooked and misunderstood option that has transformed lives. Born at Home dives into real stories of women navigating birth trauma and examines how a shift in environment and informed choices can reshape the birthing experience. Wisdom is shared from homebirth families, interwoven with evidence-based information from midwives, medical professionals, doulas, researchers and maternity advocates.
Edited by famed filmmaker Kathleen Collins, Statues Hardly Ever Smile follows a group of middle school children during a six-week project at the Brooklyn Museum, where they collectively discover and respond to the Egyptian collection. With narration by a member of the museum’s education department, we witness the group’s daily exercises and reflections as they create a theatre piece centered on the relationships developed with the objects and each other.
"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).
From Casey Stengel to Dwight Gooden, An Amazin' Era captures all the magic and mystique surrounding 25 years of New York Mets baseball. Relive the team's first quarter century in a collection of interviews and rare footage that follows the Mets from their humble beginnings through their championship years of 1969 and 1973, right up to the present day powerhouse team. An Amazin' Era is a complete history of the team that has captured the spirit and imagination of New York since 1962
The 1995 World Series featured the two best teams in baseball. The Cleveland Indians won 100 games in a shortened season, and they made it to the World Series for the first time in 41 years. The Atlanta Braves had been here before, twice in the previous four years. With the best pitching staff in baseball, they were called the team of the '90's. Still they needed a World Series Title to claim that crown. This official documentary of the 1995 World Series includes all the dramatic moments of the six-game battle between the Indians and the Braves including: Eddie Murray's game-winning single at frenzied Jacobs Field. Orel Hershiser's gutsy performances against the incredible Greg Maddux. Dave Justice talking the talk...and then walking the walk. Tom Glavine, the series MVP, pitching one-hit baseball under phenomenal pressure.
Sex is a taboo topic in China, even though China is a large importer of the Japanese Adult Video (AV) industry. What happens when a Japanese adult video star such as Yui Hatano comes to China? This film shows the China's sexual liberation in a comedic way.
A documentary about the actress who played Miss Torso, the dancer that caught James Stewart's eye in Alfred Hitchcock's classic film Rear Window.
A documentary that follows the recording process over three days and nights of "(I'll Love You) Till the End of the World" by Nick Cave and the Bad Seeds. A new version of the documentary appeared in 2005, and on the 2019 Criterion release of Wim Wenders' film UNTIL THE END OF THE WORLD.
Documentary film about Martin Park, a homeless man living in Dublin, and his friendship with photographer and filmmaker Donal Moloney.
A long-haul trucker turns to YouTube to combat loneliness and social isolation. Under the handle “MsDivaTrucker43,” she discovers a supportive community of women who share her struggles of life in the margins. It is difficult for women in an industry that is 96% male to see themselves succeeding. Tamara's words of wisdom and encouragement offer women a model and a path forward.
However impressive the site is, however bossy the guides are, the visitors of the Musée Napoléon listen only absent-mindedly. Does this young lady really care about the tragic destiny of emperor Napoleon or Europe's changing face or isn't she more interested in her won reflection in a window case? And isn't the camera operator more prone to film the cornet wimples of visiting nuns than the fossilized remains of Napoleon's fallen grandeur...?
Is this documentary actually about the magnificent palace of Beloeil, owned for generations by the princes of Ligne and about its splendid park? Or is it about those who visit it and those who having fun in its park on a Saturday afternoon? Both actually, because Edmond Bernhard never visits a place without taking an interest in the people present there.
George Lucas, Irvin Kershner, Lawrence Kasdan and John Williams look back at The Empire Strikes Back 30 years later.
Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.
A brief history of Talking Heads (and how they got here!)
On Manhattan's jam-packed streets, NYC's most iconic driving instructor prepares students for the road ahead.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.