Nexus Laboratories

A good night’s rest turns into a fight for her life when an anxious girl comes face to face with a stranger like no other.

"LIMINAL" is an animated student short film where we follow a little creature trying to find an end to his monotony, isolation, and loneliness.

Meeting a closed road on his route home, a young man takes a risky turn, only to become hopelessly lost on a maze of backroads. https://www.youtube.com/watch?v=3frum1ZbJmA

A love, a journey, perhaps an obsession, the thin line between life and death constantly questioned by love, an immortal feeling, yet experienced by mortals. This animated and musical short film features young Orpheus, the quintessential archetype of the poet, embarking on a journey that will lead him into the depths of the underworld, in a desperate attempt to bring his deceased wife Eurydice back to life

The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.

Surreal environments take center stage in this visual odyssey.

Diana, a young woman who suffers from social anxiety, works in the supermarket which forces her to face her biggest fears; unable to communicate with others, she takes refuge in an ideal dream: a still and silent world where she can be free but gradually and without noticing this place threatens to swallow her into oblivion.

After using a strange AI device in a decadent course for unemployed people, a 40-year-old amnesic man gets obsessed with recurring absurd dreams, believing they are his life memories. Fourth feature film by the Brazilian director Davi Pretto.

In 2006, a 20 year old animal and nature lover ventures into the woods with a camera and a sense of serenity, only to discover that he would emerge with his reality shaken, and that only his footage would be found.

A snappy animated diversion turns simple graphic symbols into colorful arrows of resistance. In the field of the rudimentary predecessor of the Internet, the author uses the tried and tested tactic of détournement in order to overcome the limitations of narrowly defined frameworks and transform the screen into a space of new meanings and the scene of a battle against the banalization of the mind. A battle that may have already been lost, but that does not mean that we can afford to lose the sharpness of the senses and the sharp sense of humor that the author demonstrates by repurposing outdated media technology in order to lucidly mock her and our reconciliation with the given state of affairs.

While struggling to emotionally detach from the deceased, a crime scene cleaner believes a monstrous presence is toying with him.

When a young boy tries to write the perfect song, the tip of his pencil breaks and frees a Genie who will only grant him one wish

Liminal Spaces are the subject of a modern internet aesthetic portraying empty or abandoned places that appear eerie, forlorn, and often surreal. Directors such as Stanley Kubrick, Andrei Tarkovsky and David Lynch had mastered the art of liminal spaces, long before it became an internet aesthetic. This documentary aims to explore and demystify the strangely familiar world of liminal spaces.

Ombr

Théatre de Guerre

Lost in the hallway, where i am?

A filmographic essay featuring lines from "Bonedog" by Eva H.D. A pathos on memory, travelogue consciousness and the divets remaindered from environmental displacement.

Two filmmakers set out on an adventure into a creepy old mall, only to find themselves lost in an increasingly claustrophobic maze of hallways, liminal spaces, stairwells and backrooms in this comedic found footage horror film.

Two workers send emails to each other in their office cubicle.

Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.