Flesh

A documentary exploring sexism and patriarchy in Kosova.

A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

A film about Karla Ojeda and Maira Ramírez, two transvestites going through adoption, and Gabriela Mansilla, mother of a trans girl. Their stories are intertwined with songs and poems by Susy Shock, a trans artist, poet and writer.

A look at the ways fashion has been used to socially control women in Canada, both historically and in the 20th century.

Moira Mulholland narrates the history of (European) women's rights through images, interviews, and performances focusing in on the Women's Suffrage Movement in Canada.

A presentation of the historical process of rape, followed by a more recent approach of current studies that reinforce ÒRape Reliefs own statistics.

Female composers' names are mentioned throughout history.

Rock'n'roll was a man's world they say. The film documents the often ignored female impact on rock's history, from the groundbreaking guitar stylings of Memphis Minnie and Sister Rosetta to the gnarly singing of Big Mama Thornton. Musicians as different as Suzi Quatro and Kristin Hersh tell about their experiences on and off the grid of stardom and the music industry.

A documentary about women in the Indonesian DIY hardcore/punk scene, including interviews with musicians, photographers, and zine-makers.

Vancouver s two leading authorities on sexism in the school system, Linfa Shuto and Reua Dexter, relate their opinions on the problem and some solutions that they are working on. The tape also includes a short historical look at women s position in education and a critical discussion on sex stereotype roles by Grade 6 students.

A video essay using images and interviews to critically explore the history and current role of pornography.

Guest speakers from "Women In Motion" Conference, Vancouver, B.C. 1975.

Provocative, feminist critique of man’s technological progress.

In the Arab world, women are fighting a two-front war against repressive internal constraints and intrusive Western interference. In this program, a feminist delegation composed of author Nawal Saadawi and other renowned activists from the Middle East and North Africa gathers at the UN, on college campuses, and in church basements to speak out about deterioration of women's rights in the Arab states in an effort to heighten awareness of the Arab feminist struggle for equality--and the effects of U.S. foreign policy on their efforts.

In 1918, Maria José Rebello from the state of Bahia applied for the national admission exam for the diplomatic career, a fact that left much of society astonished. Setting a precedent as the first woman to join the Ministry of Foreign Affairs, Maria began a 100-year journey for Brazilian women in diplomacy.

This documentary goes back to the turn of the century to show how women shaped the nation’s history.

bell hooks is one of America's most accessible public intellectuals. In this two-part video, extensively illustrated with many of the images under analysis, she makes a compelling argument for the transformative power of cultural criticism.

Leela becomes an outlaw when she and a group of ecologically-minded feminists attempt to save an asteroid of primitive life forms and the Violet Dwarf star from being destroyed, while Fry joins a secret society and attempts to stop a mysterious species known as the "Dark Ones" from destroying all life in the universe.

A Woman's Place is the first film about the UK women's liberation movement. Crockford and her co-producers Ellen Adams and Tony Wickert document the movement's first national conference and march and examine its demands. The film records impassioned discussions and speeches, as well as the humour of the marchers. It also includes interviews with members of the public who give their perspective on women's liberation Crockford made the film as an attempt to see 'whether other people could be engaged by what I believed in'.

Moi, agricultrice