Luis Granados - 2014 Community Leadership Awards

Shows new methods in treating those afflicted with mental health issues. Contrasts past treatment regimes where people were locked away out of sight with the new, 1960s, psychiatric ideas of "group therapy" and talking therapy. Also shows practical behaviours aimed at returning patients to productive lives in society and outpatient services.

A documentary about the actress who played Miss Torso, the dancer that caught James Stewart's eye in Alfred Hitchcock's classic film Rear Window.

This film about Library services in Australia shows some of the work of the Commonwealth Parliamentary Library, the National Library with its varied resources and examples of State, University, special and public services suggesting their value in meeting needs for information at all levels. The library movement has become a vital part of Australian life. How libraries have fitted into society all over Australia, from the bustle of Sydney's Kings Cross to the remote outback.

Thea’s life is changed when she receives an unexpected call from her childhood ‘friend’, May. Memories of the past with May shake Thea out of the mundane and into the queer London landscape; although it doesn’t immediately welcome her with open arms. Except in the form of Mimi, a liberated and fellow queer femme, who shows Thea the unconditional love and friendship that queer community is built off. Inspired by a true story, this heartfelt short film celebrates the magic of queer femme friendship and love.

The film is a continuous, "real time" tracking shot of a stream bed. The length of the track was ten yards. The camera was suspended in a motorized carriage running on steel cables three feet above the water surface. The camera pointed vertically downwards recording the contours of the stream bed and the flow of water along its course. The sound of the water was recorded synchronously from the moving carriage.

A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.

Daphne, a transgender performer, and LGBTQ educator based in Milan, navigates two worlds: by day, she juggles work, friendships, and dating apps; by night, she explores the experimental underground scene of parties and drugs. The film offers an intimate look at her journey of self-discovery.

In this heartfelt short film by Jesse Collier Sutterley, Roosevelt Farrow, born in 1929 at the start of the Great Depression, shares his lifelong dream of becoming a U.S. Marine, despite the racial barriers of his time. Raised by his grandmother in humble conditions, he was inspired by the sight of Marines visiting his community. Farrow’s determination led him to join the Marine Corps, where he faced the challenges of Montford Point boot camp, eventually becoming an expert marksman and retiring as a Gunnery Sergeant. Although he never saw combat, a fact he attributed to his wife’s prayers, he realized the significance of his journey when he witnessed black officers rising in the ranks. Farrow's story is a testament to perseverance and the pursuit of one's dreams, encouraging others not to give up on their aspirations despite austere beginnings and social injustice.

As a Cholera epidemic rages in Haiti, the United Nations denies it is responsible for introducing the disease despite glaring evidence suggesting Nepalese peacekeepers are to blame. Baseball in the Time of Cholera is the story of a young Haitian boy who plays in Haiti's first little league baseball team and the Haitian Lawyer seeking justice against the UN. As the epidemic spreads, the two stories intersect in the struggle for survival and justice.

The documentary follows the activism of prominent suffragists such as Emily Stowe, as they struggled for an equal say in their own future. These women formed associations, petitioned the Ontario Legislature, wrote essays, and held satirical events to achieve their goals of equal rights for women. It is a celebration of the 100th anniversary of women’s suffrage in Ontario.

This high-school educational film describes the benefits and opportunities available to young women who go to college and major in home economics. The film follows Kay, Helen, Louise, and Jean throughout their college years, as they take a variety of interesting and useful classes and eventually accept job offers in their chosen specialties. Nevertheless, the traditional middle-class ideals of marriage and stay-at-home motherhood are reinforced.

Leaving her girlfriend Kat in the car Rajinder enters her house to announce to her parent's she is gay. But before she can tell them her parents make an announcement of their own.Should she do as her parents wish or disobey them and dishonour the family?

Two young Hong Kong activists reflect on their resistance against China, are forced to decide between long-term imprisonment and refugee camps for a life in exile, while their movement inspires mass protests in the city they love.

Sweet Sweet Kink takes a sweet, sweet peek into the kinky world of bondage, dominance, and sadomasochism through stories of intimate connection, consensual exploration, and deep self-reflection.

Behind the scenes of Unforgiven (1992)

From the streets of Japan, where stance cars caught their name, to the rustic roads of Montana, OUTSIDE explores the layered world of stance culture and the car enthusiasts behind it all.

“Let’s think of nature as a big room. Nature is a room you know you’ll have to leave some day, most likely not by choice”. Heather Phillipson’s hallucinatory video put the goat in the goat boat explores endless declinations of nature—natural, naturing, finding a better nature, the nature construction, nature on loan, nature’s lack of nudity...—while revealing humanity’s ambiguous relationship to it.

CINÉMATEUR

A series of impromptu interviews with Hal Hartley, Adrienne Shelly, and some of Hartley's other most frequent collaborators on his style, career, and process.

This personal film is made up of landscape photos from the archive of the director's father, through which he returns to his life while exploring the material possibilities for creating "landscapes": the film itself is exposed to the effects of yeast, salt, leaves and seaweed. By reacting with the film emulsion, each foreign element creates a new and different image quality, while the noise on the soundtrack underscores the fragility of incomplete memories.