How abortion bans make inequality worse

French documentary campaigning for the liberalization of abortion and contraception, directed by Charles Belmont and Marielle Issartel in 1973.

The documentary depicts the birth of eugenics - a pseudo-science created in the 19th century that propounded the theory of perfecting the human race. According to the views of eugenicists, only healthy and creative individuals should reproduce. The film shows how these controversial ideas influenced the intellectual and political elite of the West in the 20th century, including the dictator of the Third Reich, Adolf Hitler. Eugenics is a pseudoscience created in the 19th century and treating the improvement of the human race. According to eugenicists, only healthy and creative individuals could procreate, and the procreation of the sick or disabled and racially unworthy (prostitutes, the poor, beggars) should be forbidden. The author of the film posits that modern genetics, the killing of unborn children and euthanasia have their roots in this infamous pseudoscience.

At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

FINDING THE MONEY follows economist Stephanie Kelton on a journey through Modern Money Theory or “MMT”. Kelton provocatively asserts the National Debt Clock that ticks ominously upwards in New York City is not actually a debt for us taxpayers at all, nor a burden for our grandchildren to pay back. Instead, Kelton describes the national debt as simply a historical record of the number of dollars created by the US federal government currently being held in pockets, as assets, by the rest of us. MMT bursts into the media with journalists asking, “Have we been thinking about how the government spends money, all wrong?” But top economists from across the political spectrum condemn the theory as “voodoo economics”, “crazy” and “a crackpot theory”. FINDING THE MONEY traces the conflict all the way back to the story we tell about money, injecting new hope and empowering countries around the world to tackle the biggest challenges of the 21st century: from climate change to inequality.

Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

Millions have seen the photograph, and no one who has seen it will ever forget it. A naked woman, dead from a botched illegal abortion, lying on a motel room floor. The picture appeared in Ms. Magazine in April 1973, and quickly became a symbol for the abortion rights movement. LEONA'S SISTER GERRI tells the dramatic story of Gerri Santoro, a mother of two and the "real person" in the now famous photo. Should the media have used this image? What circumstances led to Gerri's tragic death? Powerfully addressing issues of reproductive rights and domestic violence, this video is a moving portrait of Gerri Santoro's life and society's response to her death.

"What Donald Trump’s win means for abortion, immigration, foreign policy, and more. "Donald Trump, the 45th president of the United States, will also be its 47th president. After voting him out of office in 2020, American voters changed their minds, opting for a return to his policies and his politics. "But the second Trump presidency will look very little like the first. His policies have evolved, his circumstances have changed, and he will be returning to office with a much more focused plan than the one he entered with eight years ago. "In this video, we ask six Vox reporters what we should expect from Trump’s second term, on topics from foreign policy to abortion" (Vox).

The mother and daughter face the question of whether to keep the pregnancy or terminate it. Both are under pressure from relatives, friends, and doctors. Both are going through a difficult decision-making process. Each episode of the artistic part shows the life circumstances and the path that a woman in a crisis situation goes through. In documentary inserts, representatives of various professions (psychologists, lawyers, gynecologists, clergymen) tell how they face the problem of abortion in their lives.

A look at the impact of an already very precarious maternal health state in the U.S. post-rescinding of Roe v. Wade, via the Supreme Court's Dobbs decision, reversing rights that women have been working so hard to fight for, and that will actually have a deep impact that we can't even see just yet in terms of the numbers of mortality and trauma as a result of those very draconian policies.

Intimate confessions, paired with experimental choreography outside a woman’s clinic in Memphis, offer a glimpse into post Roe v. Wade America.

Jamie Johnson takes the exploration of wealth that he began in Born Rich one step further. The One Percent, refers to the tiny percentage of Americans who control nearly half the wealth of the U.S. Johnson's thesis is that this wealth in the hands of so few people is a danger to our very way of life.

The End of Poverty? asks if the true causes of poverty today stem from a deliberate orchestration since colonial times which has evolved into our modern system whereby wealthy nations exploit the poor. People living and fighting against poverty answer condemning colonialism and its consequences; land grab, exploitation of natural resources, debt, free markets, demand for corporate profits and the evolution of an economic system in in which 25% of the world's population consumes 85% of its wealth. Featuring Nobel Prize winner Amartya Sen and Joseph Stiglitz, authors/activist Susan George, Eric Toussaint, Bolivian Vice President Alvaro Garcia Linera and more.

Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight.

"Clandestinas" is a documentary about the abortion situation in Brazil. Women share their experiences interrupting a pregnancy and actresses interpret that actual reports.

This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.

Set in a speakeasy in Atlanta, “Twenty” is a feature documentary about fifteen young people making it through 2020. The film is an observational time capsule that lays bare the raw reflections of a group of people surviving a year that will be seared into our generational memory.

A film that delves into director Jean Carlomusto's family history by trying to find out if the rumors about her grandmother's death -- trying to rid herself of an unwanted pregnancy in 1939 -- are true.

"Have you ever regret about not having kids?" - "Yes, I have, Sometimes"