A Reporter’s Footage from Inside the Capitol Siege

J6: A True Timeline is a documentary film that aims to provide a comprehensive and accurate account of the events that occurred on January 6, 2021, at the United States Capitol. The film is based on a massive archive of footage, including police body cam videos, Capitol CCTV footage, and citizen-generated content, which has been meticulously reviewed and compiled into a timeline using metadata and timecode.

"187 minutes passed from Trump urging the crowd to go to the Capitol and asking them to go home. Using footage from the day and cable news Trump reportedly watched, 187 Minutes is a look at the experience of those involved as the constitutional order came under threat."

"On January 6, 2021, hundreds of people breached the United State Capitol Building in an attempt to stop Congress from certifying the 2020 election. Many participants documented their actions on social media for the world to see. The attack left 5 dead, at least 138 police officers injured and resulted in more than $30 million in damage and security upgrades. On July 27, four of the police officers who helped defend the Capitol that day provided testimony to Congress. In this special episode of Source Material we hear their testimonies and see the violence they were subjected to" (Vice News).

"On January 6, the most sacred symbol of American democracy was violently stormed by supporters of Donald Trump, leaving the Republican party to grapple with its political future. "Defeated, disgraced, and now twice-impeached, Trump is out of office. But with the anger he unleashed still bubbling beneath the surface, many are concerned over whether American democracy has proven more fragile than they thought. "In her return to Four Corners, reporter Sarah Ferguson tells the story behind the insurrection at the US Capitol" (Australian Broadcasting Corporation).

"This is what it was like to be inside the Capitol Hill insurrection" (Vice News).

"The Times obtained District of Columbia police radio communications and synchronized them with footage from the scene to show in real time how officers tried and failed to stop the attack on the U.S. Capitol" (The New York Times).

"At 2:12 p.m. on Jan. 6, supporters of President Trump began climbing through a window they had smashed on the northwest side of the U.S. Capitol... It was the start of the most serious attack on the Capitol since the War of 1812. The mob coursed through the building, enraged that Congress was preparing to make Trump’s electoral defeat official. 'Drag them out! … 'Hang them out!' rioters yelled at one point, as they gathered near the House chamber... "To reconstruct the pandemonium inside the Capitol, The Washington Post examined text messages, photos and hundreds of videos, some of which were exclusively obtained. By synchronizing the footage and locating some of the camera angles within a digital 3-D model of the building, The Post was able to map the rioters’ movements and assess how close they came to lawmakers — in some cases feet apart or separated only by a handful of vastly outnumbered police officers" (The Washington Post).

“'Public Defender' follows the work of Heather Shaner, a lawyer representing January 6th rioters, who works to confront America’s political divisions with empathy" (The New Yorker).

Enter the colorful world of Emmy-winning, Oscar-nominated Patricia Field, the costume designer behind Sex and the City, Emily in Paris, Ugly Betty, and The Devil Wears Prada. A queer, first-generation Greek-American, this fiery redhead defied the odds to become a fashion icon. Features interviews with Kim Cattrall, Lily Collins, Sarah Jessica Parker, Michael Urie, and more.

This riotous concert film documents New York theater legend Taylor Mac's joyous, challenging, and ostentatiously queer 24-hour musical performance. Featuring virtuoso musicians, innovative costumes, and the American myth as told by sailor's ditties, disco, and sugary pop alike, Mac's cathartic celebration is not to be missed.

This documentary that takes viewers inside one of the world’s most sinister secret societies — the Ku Klux Klan. Based on an award-winning investigative AP series, the true-crime documentary captures the infiltration of the klan in northern Florida by a former Army infantryman named Joe Moore and includes exclusive new interviews with the FBI agents who oversaw the operation and exposes systemic corruption.

Enter the experience of Dawn FM as The Weeknd performs his latest album live in a theatrically unsettled and unnerving world.

Amazon Music, Warner Records and Biffy Clyro present ‘Biffy Clyro: Cultural Sons of Scotland’, an intimate documentary film showing the back-to-basics recording process they adopted to create their ninth studio album, ‘The Myth of the Happily Ever After’.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Featuring never-before-seen home movies and photographs, musician Bill Wyman opens up his vast personal archives to share stories and memories of his three-decade stint as bassist of the Rolling Stones.

50 years after the legendary fest, Barak Goodman’s electric retelling of Woodstock, from the point of view of those who were on the ground, evokes the freedom, passion, community, and joy the three-day music festival created.

An emotional journey that takes us into one father – daughter relationship, through their struggles and dificultéis, ending in the house by the sea where they were happy together.