Mothers Who Kill their Children

Illale Devatha (transl. Wife is a Goddess) is a 1985 Telugu-language drama film, produced by N. R. Anuradha Devi under the Lakshmi Films Combines banner and directed by Tatineni Prasad. It stars Akkineni Nageswara Rao, Raadhika, Bhanupriya and music composed by Chakravarthy. The film is a remake of Singeetam Srinivasa Rao's debut Kannada film Haalu Jenu (1982).

[m]otherhood will make us stop asking women without children why they don’t want to be mothers, because it gives us all the answers. These types of inquiries can become very annoying after a while; at times, the only way to get out gracefully is by smiling and not saying a word. This documentary brings together several women who’ve decided to sound off on the subject, and whose reasons –hard-hitting and solid– knock the concept of contemporary motherhood as an “ideal” off its pedestal.

"Octopus Heart" is a poignant documentary examining the link between emotional trauma and Takotsubo Syndrome. Following Anastazija Zivanovic's life of profound loss and adversity, it reveals how our emotional struggles shape our physical health, inspiring awareness, and resilience.

When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.

In 1858 Charles Darwin struggles to publish one of the most controversial scientific theories ever conceived, while he and his wife Emma confront family tragedy.

Lebanon, Mother's day. Joey (20 years old) is preparing a surprise diner for his mom who is always abroad. but today is a special day because she is here, but not willing to stay till the evening, until they celebrate. Tortured with the idea of her leaving again, Joey tries to convince her mom to stay. But the mother is here for another reason: pushing her son to tidy his house and to accept change.

A young girl is caught between her parents’ grief and anger after losing their eldest daughter, finds solace behind her bedroom window—where she builds a world of color in order to move on.

A portrait of a depressed mother and her child.

Zhang Ziyi plays the youngest of three generations of women who leads lives in Shanghai. Joan Chen plays the great-grandmother, grandmother, and mother. The film recounts this family, the mistakes they make, and a cycle that the granddaughter breaks out of.

What's it like to "make a family" when you're not part of the traditional hetero couple? Can two best buddies living on the same floor become a family? Océan and his best friend Sophie-Marie Larrouy will question their friendship, their desire for children and their ability to commit to each other, going to meet people who have made families "differently" to draw inspiration from them and invent their own model.

Love Alone Can’t Make a Child chronicles the love story and emotional odyssey of Maria and Christiane who, for over a decade, have been trying to fulfil their desire of giving birth to a child of their own. The director, a childhood friend of Maria, lovingly narrates the couple's journey, showcasing their resilience in the face of ever-increasing challenges, and the intricate dynamics of a relationship under tremendous strain. More than anything else, the film continually pursues what love truly means in a long-term romantic relationship.

Marie-Hélène, my mother, is retiring and takes with her her memories, her anxieties and the mental burden of having raised three children while working full time. As she works her last shift as a home nurse, her thoughts jostle and harmonize in a whirlwind similar to a panic attack.

A family’s difficult but endearing journey that re-defines motherhood: is it through nature or nurture? Yasmine is a young woman forced to raise her 3 younger siblings after being struck with life’s difficult circumstances. Trying to provide for their stability, she begins working random part time jobs to make quick and easy money and is constantly trying to balance between her personal life and work life. This family’s journey is difficult, but it is surely heartwarming. Throughout the film, we discover why Yasmine has to be responsible for her siblings despite her age.

In Mahdia, Tunisia, Maram embarks on an intimate journey through the ancestral customs that have shaped her life, exploring matrimonial traditions, and highlighting the Henna, where the bewitching songs of the Machtat resound. Tracing her childhood memories, guided by Latifa and Habiba, two prominent Machtat, she uncovers the maternal essence of tradition, where the bond between mother and bride is at the heart of these intimate celebrations.

Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.

Pivetta

A look at the trials and tribulations of school and childhood.

Using home videos recorded by her voice coach, Diana takes us through the story of her life.

On the cusp of turning 40, wheelchair badminton champion Nina Gorodetsky, has her first and maybe last, chance to participate in the Paralympics. However, she is negotiating a ticking biological clock both as a mother and as an athlete. What would she be willing to sacrifice to realize her Olympic dream?

A mother discovers that her son has a disability that causes her breast milk to intoxicate him. But the discovery comes too late to prevent the loss of neurons.