Cena Viva: Trajetórias e Transformações

Tangos e Tragédias Para Sempre

Piracema - uma carta de amor ao teatro

"ÉVORA" follows the story of António Évora, an actor retired due to a health condition. The longing and permanent absence from the stage brings with it a reflection on the times when he was young, the joy of applause and what is to come.

On a boring Sunday, Rebeca is taken by chance to a distant relative she has not seen for a long time. Curious about her uncle's life, her search opens the curtains into a previously unexplored but strangely familiar theatrical universe.

Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.

Asdrúbal Trouxe o Trombone

Tight

Elza

La favola mia

Peppino Girella

L'Audizione

Bom Dia Sem Companhia

Déjalo Salir

During the rehearsals for his upcoming play, Carlos, a theater director, reminisces about the romantic breakup that inspired the script.

Edipo Re

Corpo de Cena

A Santa Joana dos Matadouros

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

The Stage

Sweeney Todd - O Barbeiro Demônio de Fleet Street