Splatterfest Exhumed

Movie that tries to answer the century old question - why do we love movies?

"Public Domain" is a short film we shot in honor of those who support us with daily entertainment throughout this apocalypse. It's a love letter to cinema and a call to arms. Don't let the medium die.

Ergui as Mãos aos Céus e Não Havia Mais Luz

“It Came from the Tap” is a 4-minute film made with a group of friends for a local 48-hour horror film competition called “Lost Weekend”. For this challenge we were given three rules: we had to include a mask as a prop, the following line of dialogue: “Is this politically correct?”, and lastly, we had to pull a horror sub-genre out of a hat to allow for a different sub-genre for every team. We pulled “Creature-Feature”. The film was eventually screened in one of our local cinema’s.

This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.

Charlie Chaplin, The Tramp. In this documentary, we will take a look at the life of actor and director Charlie Chaplin, and talk about his films and hidden symbolisms.

Le Modernissimo de Bologne

A intimate reflection at the making of and cultural phenomenon of one of the most popular and profitable horror films ever made, The Exorcist (1973).

Experience the 1950’s in the second installment of the “Tour de Cinema” series.

Experience the 1990’s and the end of a millennium in the sixth installment of the “Tour de Cinema” series.

Dive headfirst into what many believe to be the most influential decade in filmmaking, the 1970’s.

A Hamlet-inspired tale of two sisters running their late mother's business. When one sister has a run-in with her (presumed to be dead) mother, chaos ensues.

Pete, a janitor at Super Fun Cinemas, clocks into work and begins his usual routine, but is rudely interrupted by the invasion of an otherworldly threat taking control of the theater. For the first time in a long time, today is quite different from yesterday.

Schauburg Mon Amour

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.

a documentary and a fiction about reflecting on "pre-cinema".

Take a virtual stroll down the streets of Glasgow’s iconic Great Western Road.

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”