A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.
During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. Little Palestine (Diary of a Siege) is a film that follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.
In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.
A prominent Czech journalist Saša Uhlová leaves her family and joins “cheap labour force” in Western Europe. Undercover, she works at an asparagus farm in Germany, tries her hand as a maid at a hotel in Ireland and takes care of the elderly in France. She experiences first-hand the struggles of Eastern European low-wage workers whose sacrifice and hard work allow for the Western society’s comfort. What is the real price that Europe pays for exploiting its own citizens? How do the lives of economic migrants, who have been forced to leave their children and elderly parents, look like? And why are privileged Europeans looking the other way?
Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
A Musical Journey is an intimate portrait of the Palestinian oud and violin virtuoso Simon Shaheen and his influential career as composer, performer and educator. Born into a musical family and educated at the Academy of Music in Jerusalem, Shaheen arrived in America in 1981 to a landscape where traditional Arab music was little known. His passion for and commitment to sharing the music’s complexities come to life as he teaches and performs in vibrant musical performances that energize the film.
A family with five children flees the war raging in their home village on the Russian border. They end up in Mshanets, a farming village on the other side of the country, remote and unknown. Here the family starts building a new home. At the same time, two documentary makers come to the village, looking for a story. In the Lymar family they find the ideal characters for their film. But one day, when the renovation of their house is almost finished, the family disappears. The filmmakers go in search of their characters and along the way they try to find an answer to the question: what does a person need to feel at home?
An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.
Documentary on water usage, money, politics, the transformation of nature, and the growth of the American west, shown on PBS as a four-part miniseries.
The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.
On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.
With the refugee influx in 2015, Ronneby gained 3,000 new inhabitants and the schools 1,000 new students. Tom Alandh traveled to Ronneby to find out how this has affected society and its inhabitants and their real and perceived security.
Hungarian refugees in Austrian camps after the failed revolution in Budapest.
Where Olive Trees Weep offers a searing window into the struggles and resilience of the Palestinian people under Israeli occupation. It explores themes of loss, trauma, and the quest for justice.
A U.S. Marine plots a terrorist attack on a small-town American mosque, but his plan takes an unexpected turn when he comes face to face with the people he sets out to kill.
Put your soul on your hand and walk was my response as a filmmaker, to the ongoing massacre of the Palestinians. My personal way not to lose my sanity. A miracle happened when I met Fatem through a Palestinian friend. Ever since, she became my eyes in Gaza, while surviving under the bombs and documenting the war. And I, became her connection to the outside world, from her Gaza prison, as she puts it. We kept this line of life going for more than 200 days. The bits of pixels and sounds that we exchanged constitute the film that you see. Fatem's assassination on April 16, 2025, following an Israeli attack on her home has forever changed its meaning.
A documentary on the historic first-ever visit of a Palestinian National team to Europe, following the Palestinian women's team as they arrive in Ireland to a heroes' welcome and play a solidarity friendly against Bohemian FC on May 15th, 2024. The sold-out match marked the 76th anniversary of the Nakba and highlighted the ongoing genocide and human rights violations happening every day in occupied Palestine. It was one of the most emotional and important games ever held at Dalymount Park in its long and storied history since 1901, and the event raised over €100,000 for three Palestinian humanitarian organizations.
Samos - The Faces of our Border
A harrowing account of Europe's migrant crisis. A family of Syrian refugees separated by the borders of Europe, fight to be reunited as they migrant from Syria to Germany.
After 30 years of conspiracy theories and myth making, this film uncovers the story of the CIA's most extensive clandestine operation in the history of modern warfare: The Secret War in Laos, which was conducted alongside the Vietnam War from 1964 -1973. While the world's attention was caught by the conflict in Vietnam, the CIA built the busiest military airport in the world in neighboring and neutral Laos and recruited humanitarian aid personnel, Special Forces agents and civilian pilots to undertake what would become the most effective operation of counterinsurgency warfare. As the conflict in Vietnam grew, the objective in Laos changed from a cost effective low-key involvement to save the country from becoming communist into an all-out air war to cut the Ho Chi Minh Trail and bomb Laos back into the Stone Age that it had never really left in the first place. Conventional bombs equivalent to the destructive power of 20 Hiroshima-type weapons fell on Laos each year - 2 million tons