"The future you live in" by George Alshevskij-Jones

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.

A high production fan film directed and produced by Shizuo Nakajima and several former Toho filmmakers in 1983. Principal photography on Wolfman vs. Godzilla began in 1983 and concluded in the mid 1980's. Post-production ("editing, sound design, and visual effects") is ongoing.

Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.

A group of pedophile hunting vigilantes get more than they bargain for with their latest prey.

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

Rafael wakes up in a house he has never seen before. He suspects he has been kidnapped, but manages to escape from the house. While escaping, he finds an open house, with no one there, and no cars. Due to his desperation, he enters the house without thinking and spends a few days there. After regaining his sanity and access to the internet, he manages to ask a trusted relative for a ride. But when he gets home, he begins to feel changes in his body and begins to suspect that he has been the victim of a ritual. From that moment on, things initially become strange.

Ryan is a popular member of his community. He’s charming, helping and a social butterfly but Ryan has a secret.

Dara, an enigmatic and beautiful woman with macabre secrets, invites an unwitting bachelor into her home. But when two unexpected suitors arrive, all hell breaks loose.

A short making of feature about the 1966 John Frankenheimer movie Grande Prix

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).

During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.

A HAM radio enthusiast discovers a mysterious object in his backyard that might be a window into another world.

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

Biopic filmed in a single shot about the Majorcan musician Juanjo Monserrat.

Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.

Imagine how life must be for someone whose skin has no protection whatsoever from the sun. And now imagine living in a country that averages over 80% sunshine during any given year. Welcome to Paulus's life in Namibia.

50 years ago the Volkswinkel - the People's Shop - opened for business in Rehoboth. The man behind the success story is Oom Land. Here you get to meet him.

Voices from the past echo through the deserted, snow-covered stone houses in a village in the Caucasus Mountains.