NOCH ACHT STUNDEN
Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.
On August 15th, 2006, filmmaker Ryan Dacko set out to get a 30-minute meeting with a major Hollywood producer by running on foot from Syracuse, New York to Hollywood, California.
When filmmaker Debra Chasnoff faces stage-4 cancer, she turns her lens on herself and the disease. What emerges is a portrait of her extended LGBTQ family —a story about hanging on while letting go.
Documentary footage from various sources, set to music. Showing the whole of human life, from birth to death and beyond.
A collection of memories from a tumultuous time at University.
Exploring the revitalization of traditional birthing practices in Indigenous communities across Turtle Island, the film blends personal stories of pregnancy, birth, loss, and renewal, revealing the vast and diverse experiences of women within the life-giving cycle.
An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.
After seeking transcendence through shamanic rituals, Ana’s life is transformed overnight by an unexpected turn toward faith.
On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.
A batch of mushy sourdough. Two radioactive lizards. Three cans of Campbell’s tomato soup. When COVID-19 lockdowns began in 2020, people around the world began reporting more vivid dreams.
Birth: it's a miracle. A rite of passage. A natural part of life. But more than anything, birth is a business. Compelled to find answers after a disappointing birth experience with her first child, actress Ricki Lake recruits filmmaker Abby Epstein to explore the maternity care system in America
This documentary explores the inner life of François Mitterrand from a unique perspective: that of the writer he never ceased to be. From bookworm child to prolific author, from his brilliant speeches to his literary friendships, François Mitterrand's life cannot be separated from the literary world. His daughter Mazarine Pingeot undertakes to read the texts left behind by her father.
This movie charts the three most important questions regarding birth: 1. What makes a safe birth? 2. What disrupts a birth? 3. What do birth interventions mean for mother and baby, how the birth develops and even society at large?
In the heart of Riyadh... Souq Al-Zal, between heritage and simplicity, the film depicts the dreams that simple people desire in life.
Short documentary about the life and times of Italian filmmaker Sergio Pastore.
Necromaquiagem
Con Traje y Sin Zapatos
According to family legend, the name Hrušínský was born after Rudolf and Jan Hrušínský's grandfather Rudolf Böhm was caught stealing pears on a theater stage. The German name Böhm suddenly became Hruškovský and shortly after that Hrušínský. Grandfather Rudolf, later known as Rudolf Hrušínský the eldest, adopted the surname as his own and began using it in 1935. However, the history of the Hrušínský acting family goes back much further. It is therefore not surprising that the brothers Rudolf and Jan also took the same path. The documentary charts their acting beginnings alongside their father Rudolf Hrušínský Sr., from their first roles, through theater engagements at the Drama Studio in Ústí nad Labem and the Drama Club in Prague, to unforgettable film and television roles, when three generations of Hrušínskýs often met in front of the camera.
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