Flacky et Camarades - Le Cheval de fer

Deep in Mexico two brothers sit in a plaza discussing a broken fuel pump. In a few days they will leave for work. With their father and some friends they will ride a bus 1,300 miles north and enter the United States by walking through the desert. They call America “El Otro Lado,” the other side.

During World War II, many Japanese immigrants in Santos, Brazil, were forced to move to another place. Matsubayashi draws attention to the fact that 60% of the immigrants were from Okinawa. Based on testimonies from interviewees, this film reveals the hidden historical relationship between Okinawa and Brazil.

A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

Sometime, Somewhere sheds light on the challenges faced by Latino communities in Charlottesville, Virginia against the backdrop of immigration driven by factors like climate change, poverty, and drug-related violence.

A short documentary that follows Korean grandparents as they share their modern-day reckoning of their immigration story and grandparenthood.

This feature documentary is a profile of Canadian press tycoon Roy Thomson, whose single-minded attention to business brought him riches, power, and even a baronetcy in England. A native of Timmins, Ontario, Thomson had a tremendous career as publisher, television magnate, financier, and owner of many newspapers, including leading London dailies. The film is a frank study of an equally frank man.

Three boys and three girls. All born in the Middle East now living in Sweden. All with different views of Islam, integration, the World and Sweden. Some follow Sharia. Others fight Islamic roles. One is a hip hopper. The other thinks music is a sin. One thinks that the woman must obey her husband. One fights for women’s liberation. One girl is a boxer. The other is an ordinary worker. Some are closely followed by the Security Police. Children of Islam is a documentary about religion, culture, conflicts and looking for an identity in a changing Sweden.

Danielle Mitterrand, une certaine idée de la France

Twenty-five films from twenty-five European countries by twenty-five European directors.

A poetic retelling of the experiences of Joseph Murakami, a fourteen-year-old boy from Darwin, who is summarily rounded up and interned by his government on the basis of his ethnicity, leaving wounds unhealed to this day.

Rosa is from Croatia and lives in Switzerland, with her husband who depends on her care. She takes care of everything. Her children have grown up and want to leave home. Rosa stays behind alone.

A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”

For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.

The documentary follows the life of Farroukh, a young Tajik immigrant who lives in Moscow outskirts with his family and does odd jobs in dreams of becoming an actor.

An experimental project made up of 10 minute silent portraits with 60+ participants.

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

"Take my love" is a documentary film about "Las Patronas", a group of women who daily cook, pack and throw food to the migrants riding the "Beast" train.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

Eric Escoffier, la Fureur de Vivre