Perdus entre deux rives, les Chibanis oubliés

This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.

L'Âge d'or de la pub

Macron président, la fin de l'innocence

Documentary dialogue with young women in Algiers on their experience of independence shortly after their country's independence.

Tous paysans !

Every season, tens of thousands of migrant farmworkers converge on small communities like Immokalee, Florida where they plant and harvest the food that Americans consume. A vast majority of these workers are undocumented, leaving them at the mercy of the large agribusinesses who hire them, the crew leaders who contract them and the landlords and businesses that profit from the seasonal arrival of migrant workers. Their "undocumented" legal status allows for a system of exploitation that leaves workers and their families to endure conditions and wages that rarely meet international human rights standards. Immokalee U.S.A. documents these daily experiences, leading the viewer to examine their own role in the issues migrant workers face in the U.S.A.

A documentary that measures the cost of providing amnesty to millions of illegal aliens.

Ma famille entre deux terres

In Algeria, pottery is different from one region to another, the result of the various influences it has undergone throughout history. If the manufacturing steps are substantially the same, the result is far from identical. In Kabylia, for example, the pottery, decorated with patterns, is red in color. In the south of Adrar, there are objects with rather original shapes and black in color. The pottery of the Nementcha Mountains is fashioned in clay with pink tones and decorated with brown designs. Originally, objects were made in families and exchanged between neighbours...

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Emilie Busquant, une passion algérienne

Follows the history of the Cameleers, men who opened large areas of land in the Australian central desert using camels, and their struggle to be accepted as Australians in a country where their families have been for over a hundred years.

A look at the rise of anti-Semitism and assaults against Jews in present-day France.

In this CBS News production broadcast on Thanksgiving 1960, Edward R. Murrow points out the plight of migrant farm workers in America. Topics range from the harsh living conditions, endless travel, low wages, and poor opportunities for their children.

An epic feature documentary about a coal mining town with a fiery immigrant heritage, once pivotal in fueling America’s industrial revolution and today in decline and struggling to survive and retain its identity, soul and values – all of which were dramatically challenged when four of the town’s white, star football players were charged in the beating death of an undocumented Mexican immigrant named Luis Ramirez. Pulitzer Prize-winning photographer David Turnley’s most personal work, SHENANDOAH creates a deeply felt portrait of a working class community, and the American Dream on trial.

In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.

El Gusto is the story of an orchestra of Jewish and Muslim musicians torn apart by war 50 years ago, and recently reunited for an exceptional concert. These musicians share a passion they never lost: the soul of Algiers, Chaabi music.

From Victor Hugo`s classic French novel of the nineteenth century to Tom Hooper`s award winning blockbuster, Les Misérables has undergone one of the most successful transitions from book to stage to screen. In this new documentary, the scintillating journey of Hugo`s universal story is traced from book to stage to screen with contributions from those who have starred in and helped to create the entertainment phenomenon which has captured a place in everyone`s hearts. Helmed by entertainment and celebrity journalist Neil Sean, this insightful documentary traces the events of the Paris insurrection in 1832 and features excerpts from the restored 1978 Les Misérables lm starring Anthony Perkins alongside interviews with Frances Ruffelle, Hugh Jackman, Nick Jonas, Tom Hooper, Alfie Boe, Amanda Seyfried, Sir Cameron Mackintosh and Anne Hathaway.

Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.

The portrait of Eldridge Cleaver, the "Minister of Information" for the Black Panthers movement, in exile in Algiers.