Superamor

Official music video of the song 'las miradas' by Cuñados Invisibles

Official music video of the song 'dame un beso' by Cuñados Invisibles

The music video plays with the concept of bad habits, portraying a group of interconnected characters whose harmful routines lead them to live out this story.

Official music video of the band Cuñados Invisibles.

Official music video of the band Cuñados Invisibles, where our protagonists delve into the world of the subconscious.

Official music video of the song 1:01 by Cuñados Invisibles.

"Temazcal, the documentary" is the final result of over a year of collecting audiovisual material from the emerging Seville-based band Cuñados Invisibles. It offers a look through videos, images, and interviews at what it's like to form a music group from scratch, as well as the creation process of their first album, "Temazcal".

In 'El Regreso', you’ll see the process of evolution and change over the past year of Cuñados Invisibles — from their split, to the first meet-ups, to the hiring of their new vocalist, Rocío Ponce.

While in Spain Alan Randolph falls for famed singer Rosita Mendez, but when he goes back to Louisiana, he returns to his fiancée Violet Beaton. On an American tour Rosita discovers Alan has married Violet. Consumed with jealousy she threatens to kill him with a revolver and in the scuffle is wounded. Full of vengeance Rosita has him jailed for five years. Suddenly contrite she then outlines a plan of escape to Alan, but he refuses until destiny takes a hand.

This film is a romantic comedy about a stewardess (Calhoun), who after 12 years of dating (Joseph) as college sweethearts (along with several marriage proposals in between), meets a business man going through a divorce (White) on one of her job layovers. As expected, sparks fire and unexpectedly a traumatic past is revealed, and the couples lives are changed.

“At precisely 4:30am on February 10th, rise from your bed, get dressed and leave the house. Walk to the bus stop and catch the number 7. Ride until the 10th stop (…) Feel the pigeon stir in your stomach. Allow her to crawl up your esophagus and out of your mouth…”

A tobacco planter on Réunion island in the Indian Ocean becomes engaged through correspondence to a French woman he does not know. The woman that arrives does not look like the picture he received, but he marries her anyway.

Car mechanic Nazım Usta marries the woman he loves, Ayten. Ayten's sister Nezahat also has feelings for Nazım. Nezahat's plans mark the beginning of a crime story that will lead all three of them to ruin.

NANA MIZUKI LIVE GRACE -OPUS Ⅲ-is a concert film recorded at Saitama Super Arena on January 20th, 2019 with a live orchestra.

Once on This Island is a one-act musical with a book and lyrics by Lynn Ahrens and music by Stephen Flaherty. Based on the 1985 novel My Love, My Love; or, The Peasant Girl by Rosa Guy, it is set in the French Antilles archipelago in the Caribbean Sea. It concerns a peasant girl on a tropical island, who uses the power of love to bring people together of different social classes.

A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.

A successful and married black man contemplates having an affair with a white girl from work. He's quite rightly worried that the racial difference would make an already taboo relationship even worse.

Sir Alec Guinness, Sir Ralph Richardson and Joan Plowright star in this merry on-stage mix-up of identity, gender and love in Tony Award-winner John Dexter’s production of William Shakespeare’s Twelfth Night. Originally broadcast on Britain’s ITV, this classic performance captures all the slapstick, puns and double entendres that have amazed and amused audiences for over four hundred years.

Paul, a non-believer in life on other planets, late one night discovers a crash-landed and wounded alien. He rescues the being and is initiated into a psycho-sexual metamorphosis.

A delightfully classic French comedy of high sophistication and light hearted wit, that in the end suffers for it. This is immensely watchable simply for the presence of Maria De Medeiros, the central two of the film are captivating. What spoils it is the stereotypical and under developed second characters and an overly wistful outlook. But I defy any man watching this film not to fall madly for Aimee and everyone will cherish the scenes between Aimee and Maurice.