The Story of the Little Green Man

A poem about mania written by Omar Zefier. His second film.

An anthology of strange people in strange places.

The story focuses on high school girl Nagisa Yukiai who lives in a seaside town. She has believed her grandmother's story that spirits dwell in words and they are called "kotodama" (word spirit). One day, she strays into a mini FM station that has not been used for years. As an impulse of the moment, she tries to talk like a DJ using the facility. But her voice accidentally broadcasted reaches someone she has never expected.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

As the Metropolitan Museum of Art closes, Big Bird decides to leave his Sesame Street friends behind in search of Snuffy. Once locked inside for the night, educational hilarity ensues as Big Bird and Snuffy team up to help a small Egyptian boy solve a riddle - as the rest of the cast searches for their big, yellow friend.

In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.

Kohata Anime Studio is a place full of dreams where animation is made. Baja was raised in this studio by the people who create animation. Floating in a pond outside are his friends the ducks. One night, when all the people are no longer at the studio, Baja takes a peek outside and finds that his duck friends are being attacked by a cat. Will Baja be able to save his friends? A wondrous night adventure begins.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

The second anime short based on Kyoto Animation studio mascot character Baja.

A lonely, recluse sculptor must confront his inner turmoil and reckon with his romantic desires when his statue comes to life.

An imaginary insight into Pablo Picasso's creative mind and painted creatures and characters. We enter in his head and walk with him the intricate maze that was his imagination to find the creatures and stories that populated his psyche and came out when he painted a canvas. His imagination is presented as the myth of the maze and the Minotaur, and some of the characters in the piece are in Picasso's real paintings - his famous dove, the Minotaur, and the ladies of Avignon, among many others.

Described as 'a fairytale with its roots in the worlds of dadaism and surrealism'.

Trapped in their frames and monitored by a menacing curator, two paintings long to escape from the art gallery's white walls. As the paintings lock eyes across the room, an unspoken connection between them sets the stage for revolution. With a distinctive blend of live-action and animation, this short film by Evan Bode employs surreal metaphor to explore ideas about power, resistance, queer identity, visibility, and liberation from constructed borders.

“Omen, a dark and timeless traveler, emerges from the belly of a gutted sheep and finds himself in an unknown void. In this tormented space, a disturbing encounter awaits him: an Enchantress. Through silent revelations and hidden omens, a haunting and supernatural journey begins, in search of meaning beyond appearances.”

"A vampiric Elf awakens in his eerie dwelling, where the arrival of disturbing figures through a mysterious portal unsettles the atmosphere. An enigmatic and mystical journey into the unknown."

In KENTRIDGE’s cross-disciplinary, cross-media world of artistic creation, images are not merely background supporting characters for theatre or installations, but are seen as an important intermediary to understanding the world. Taking Plato’s ‘Allegory of the Cave’ as an example, he feels that the prisoners in the cave believed the shadows on the wall represented reality not because they were controlled by hallucinations, but because silhouettes projected onto walls by firelight were the beginning of mankind’s understanding of the meaning of the world.

Suzanne is waking up. In the fleeting moments before she forgets her dreams, she searches her subconscious for an answer to the question on the tip of her tongue. But can Suzanne learn to break free of her suspended state of being? Inspired by the Edward Hopper painting 'Morning Sun.'

The Painter encounters Death and decides to paint his portrait.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

A film about boy whose portrait comes to life and leads him to see life through a more colorful eye.