This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.
A landmark four disc Box Set - Unearthed from Moscow's legendary Soyuzmultfilm Studios, the 41 films in ANIMATED SOVIET PROPAGANDA span sixty years of Soviet history (1924 - 1984), and have never been available before in the U.S.
Don’t judge a book by its cover but do judge a political party by its garage.
Based on the book by Major Alexander de Seversky's about his theories of the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film shows de Seversky illustrating his ideas of how air power could win World War II for the Allies.
A propaganda film during World War II about a boy who grows up to become a Nazi soldier.
Short cartoon made for US military soldiers during World War Two.
The first Greek animated film was shot by the cartoonist Stamatis Polenakis (1908-1997) with the title "The Duce tells...". The seven-minute "Mickey-Mouse-style" film, as its creator mentions in the credits, satirizes the Italian invasion of Greece on October 28, 1940, and especially Mussolini, who recounts his exploits, but reality constantly contradicts him. Stamatis Polenakis, one of the leading Greek cartoonists of the 20th century and a pioneer of animation in our country, began drawing the sketches for the film in 1942 in his hometown, Sifnos, where he had taken refuge during the Occupation. He worked under the boot of the Italian conqueror, risking arrest. The film was lost during the Civil War and it was not until 1980 that a negative was found and restored.
A marching band of Germans, Italians, and Japanese march through the streets of swastika-motif Nutziland, serenading "Der Fuehrer's Face." Donald Duck, not living in the region by choice, struggles to make do with disgusting Nazi food rations and then with his day of toil at a Nazi artillery factory. After a nervous breakdown, Donald awakens to find that his experience was in fact a nightmare.
First World War animated propaganda short, extolling Britain's naval history and mocking the German navy.
Lightning sketch propaganda stirs outrage about Reims bombing, and features a British bulldog eating the German sausage.
"This anti-Communism film uses animation to tell the story of two brothers, one of whom receives training for hemispheric subversion in Cuba and returns to his own country to spread violence and terror. He realizes his mistake when, in the course of trying to destroy an experimental farm, his actions bring about the death of his brother Gustavo. Produced by Copri International Films, Inc. (Miami, FL) and directed by Jose D. de Villegas" (US National Archives).
Animated WWI-era comic highlights from the innovative cartoonist George Studdy, creator of Bonzo the dog.
This cartoon propaganda short by Halas & Batchelor sweetens the pill of post-war coal prices by promising jam tomorrow.
World War II propaganda film on the importance of American farming. A morale booster film stressing the abudance of American agricultural output.
A World War II propaganda film about the need to remain calm and logical during wartime.
The Sailor and the Seagull was released by the U.S. Navy in 1949 with a simple goal: encouraging servicemen to re-enlist. In the film, a disgruntled sailor named McGinty complains about the raw deal he believes he is receiving by serving in the Navy. As luck would have it, a seagull comes to release him from service so that he can experience the freedom of civilian life. McGinty soon learns, however, that civilian life means less freedom and less money than he had imagined and quickly jumps at the chance to re-enlist. (cont. http://blogs.archives.gov/unwritten-record/2013/09/26/sailor-and-the-seagull/)
Peaceful citizens (one of whom resembles Felix the Cat) are dancing to music before their island is being invaded by a gigantic rodent that resembles Mickey Mouse. The islanders contact legendary folk-hero Momotaro from a giant book to battle Mickey.
Ever seen a snake with a moustache? The Middle East was as much an ideological as a physical battleground in the Second World War. In the midst of the conflict Halas & Batchelor were commissioned by the British Government to make four cartoons featuring a young boy Abu and his mule. They were intended to demonstrate in simple visual terms that Britain was a stout friend and the Axis powers a pernicious evil.
A combination of Lightning Sketches along with stop-motion animation illustrate England's reactions and responses in World War One.
In 202X, Tathagata Killer, a mysterious military leader armed with extraterrestrial technology, stages a coup and becomes the new emperor of the world superpower of Asia. Sho Shishimaru, gifted with prophetic powers, may be the only one standing in the way of Killer’s take-over of the entire world. The future of humankind is at stake in this epic struggle, but in its midst, we learn about the mystical laws that rule the world around us.