Cherveno

An immersive dive into the heart of the discomfort felt by anyone struggling to sleep.

A train moves through winter as a superimposed image of the same route in spring gradually emerges. Both moments coexist within a single frame, revealing two seasons happening at once.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.

In this documentary, wealthy entrepreneur Bryan Johnson puts his body and fortune on the line to defy aging and extend his life beyond all known limits.

A humanoid film robot spews its stream of consciousness throughout its allocated screen time.

Through an imagined dialogue with Jean Paul Riopelle, this experimental film updates the painter's legacy by seeking to build bridges with today's generation. Part homage, part self-portrait, this short film is above all an intimate reflection on the courage to be oneself.

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

As Janelas Me Diziam Que Os Carros Cor De Lembrança Ainda Percorriam as Movimentadas Ruas do Esquecimento

Made primarily using 35mm black & white stills film, which was developed and scanned at home, the film explores themes of memories, nostalgia, and our relationship to still and moving image and how those two mediums differ in regards to how we process the passing of time.

Letter to L.Y is Stephanie Mavi Garcia Panclas' second experimental film for their class. The film surrounds the feeling of nostalgia shown through the layering of video.

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

An independent documentary about the unprecedented struggles of movie theaters and the film industry as a whole during the COVID-19 pandemic

In 7 episodes, a subject traverses through various phases of existence. He fully explores different facets of the human condition— a calm birth, a stifled growth, an outrage against injustice, a cumulation of scars, and the return to innocence.

Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.

A film of and through the trees. Leaves catch, consume and resist the light through the seasons.

Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.

A very short film on the exploration of textural nuances through the city of Dublin. Shot on iPhone. Accompanied by a score.

A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. SUTCLIFFE JUGEND interview and music PETER KURTEN preview WHITEHOUSE LP TRACKS 1 birthdeath experience side A PHILIP BEST talks to MARY DOWD WHITEHOUSE studio action 1 KINGS CROSS PROSTITUTION 1982

Doomed Nation Video 'zine hailed from Chicago, and showcased the artistic talents of Tom Denney. The interview segments are of SOURVEIN and a couple of live clips, music videos by Denney of BURIED AT SEA, MEATJACK, CROWBAR, CONVERGE, & CUMDUMPSTER.