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Legendary documentary of the 1977 package tour arranged by David Robinson and Andrew Jakeman ("Kake Riviera") after they founded Stiff Records in London, England for five of their artists, and the bands that they concocted for the tour.
An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.
After being offered a record label deal before one of their gigs, a band ponders how this could change their lives, for better or for worse.
Detroit legends, MC5, captured live and in-studio performance throughout their short -- yet influential -- career.
Short documentary about the beginnings of punk in Great Britain. Don Letts, Caroline Coon, Jon Savage and Viv Albertine - all themselves connected to this scene - recount their experiences and memories from that time. In addition, original recordings and short concert excerpts document the feeling, fashion and circumstances of the youth of the time.
‘Get Better – A Film About Frank Turner’ was directed by friend Ben Morse, and follows Frank Turner and his band The Sleeping Souls for a year on the road, but the band swiftly came off the road – and Frank came off the rails before recovery.
Toypunks is a documentary film series covering the converging world of Japanese toys, fashion and punk rock. Exploring the birth of the designer vinyl explosion from its roots in character culture and punk music, Toypunks takes you in-depth with Japanese fashion icon, Hikaru Iwanaga, creator of the worlds first designer toy. Frank Kozik, Hiddy Kinoshita of Secret Base, Balzac, Three Tides Tattoo and more are interviewed highlighting profound cross-cultural connections between todays top creative talents in toys and fashion.
A live-recording of a show performed by SoCal punk band The Crowd in 1989, produced apparently to coincide with the release of their album "Big Fish Stories." The performance includes several songs from that album, and is heavily edited with stock footage of scuba diving and marine science.
The infamous "Memorex" tape circulated the mid-west underground scene in the mid-’90s. Shot in 1993, the film captures a transient slice of post-’80s, pre-Y2K youth culture on the eve of a new century. Following a tribe of teenage heshers and burnouts at a skate park punk show, the film is a snapshot of the stray children of the boomer generation as they navigate their anxieties on the brink of social, global, and digital upheaval. Now, on its 30th anniversary, the original VHS tape has been restored in 4K, revealing a cultural time capsule of pre-9/11 American youth; a candid documentation of a moment both electric and uncanny.
ALL KINDSA GIRLS traces the evolution of garage/punk rock from its inception in the sixties through current interpretations. Focusing on the career of singer/songwriter John Felice and his band the Real Kids, the film examines the significance of music in the lives of performers and fans. In 1976, the year the Ramones and the Sex Pistols issued their first albums, ex-Modern Lover John Felice put together the band that would become the Real Kids. One year later, they recorded the garage/punk classic known as the Red Star Album. ALL KINDSA GIRLS documents Felice's evolving search for success
Lou Reed was wise to chronicle a concert by his early-'80s band, featuring lead guitarist Robert Quine and bassist Fernando Saunders. Reed had used them on his trilogy of strong albums -- The Blue Mask, Legendary Hearts, and New Sensations -- released between 1982 and 1984. This 52-minute video, shot at the Capitol Theater in Passaic, NJ, in 1984, is a straightforward, no-frills live show. Reed, in black T-shirt and black leather pants, stands on-stage before a cityscape background and makes his way through a set that features both a selection of Velvet Underground songs, and his sole hit single, "Walk on the Wild Side," plus highlights from his three recent albums, notably such songs as "I Love You Suzanne." As such, the video makes a good Lou Reed career sampler.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
Often described as ‘avant-garde punk’, Dublin musician Meryl Streek is dark and dangerous – a cocktail of rage and despair. Onstage he’s a prowler – menacing, apoplectic, and snarling like a young Joe Strummer. Rage Against the Dying of the Light is not only a portrait of an artist, but a snapshot of a challenging time in Irish culture amid a massive housing crisis and a fear of artistic homogenisation – highlighting the importance of dissenting, unique and rousing voices.
Sequel to 'The Most Australian Band Ever!
Once a Punk, always a Punk? This is the story of Stof whom we followed for 8 years through the popular districts of Casablanca. He pays his independence at a high price when he finds himself arrested.
Experience the Pistols' rise to global infamy with an honest, insightful account of a group of malcontents, determined to change the music business and to attack hypocrisy and stale conventions in society at large. Based off the novel written by Glen Matlock, one of the founding members of the Sex Pistols who co-wrote ten of twelve iconic songs on their only studio album, NEVER MIND THE BOLLOCKS. Glen describes in detail the mindset of the UK in the early 70's and divulges a mine of information; Steve's thievery, Wally Nightingale, the search for a singer, the exploding punk scene and a bleak backdrop providing a contrast to the excitement and energy of McLaren's shop. The public will now have a chance to hear the story, not just from a member of the band, but also from a man who had his contributions exceptionally downplayed.
Madame Satã - Pague Para Entrar, Reze Para Sair
God Save the Queen: A Punk Rock Anthology