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Pop musician Aaron Carter's first music video DVD with videos from his then-recent album, Aaron's Party (Come Get It).

A recollection of East-African Asian displacement in the 1970s to an ambient score.

At Apple Music, the new album is accompanied by a short film directed by Singh Lee, highlighting multiple songs from the new project as part of an Apple Music Film Edition of Imploding the Mirage.

Video clip of Renaud's song.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

An animated short by Rapparu.

Live at Tavastia Club in Helsinki, Finland, 23 November, 2002 - LIVE: 01. Crashing High 02. Angel On My Shoulder 03. Forever More 04. Gothic Girl 05. Velvet Touch 06. Don t Turn Your Back On Fear 07. Stolen Season 08. Sleeping With Lions 09. Betty Blue 10. Radical 11. Still Waters Run Deep 12. The Chair 13. Wasting The Dawn 14. Dance D Amour 15. Framed In Blood 16. Stigmata 17. Brandon Lee PROMO VIDEOS: 01. Betty Blue 02. Dance D Amour 03. The Chair 04. Brandon Lee 05. Gothic Girl 06. Wasting The Dawn 07. Call Me 08. Mr. Pain BONUS: * Beyond The Dawn (Director s Cuts by Sökö Kaukoranta) * From Russia With Goth (The 69 Eyes In Moscow, March 2003) * The 69 Eyes Over Germany (Photo Gallery) * Interviews With The Vampires * Discography

The satirist, singer and writer Ole Paus has died. Fortunately, Norwegian public broadcasting have many memories from his more than 50 year long career.

Four talented alien musicians are kidnapped by a record producer who disguises them as humans. Shep, a space pilot in love with bass player Stella, follows them to Earth. Reprogrammed to forget their real identities and renamed The Crescendolls, the group quickly becomes a huge success playing soulless corporate pop. At a concert, Shep manages to free all the musicians except Stella, and the band sets out to rediscover who they really are — and to rescue Stella.

1. In the Flesh - 2. X Offender - 3. Denis – 4. Detroit 442 – 5. (I'm Always Touched by Your) Presence, Dear - 6 . Picture This - 7 . Hanging on the Telephone - 8. Heart of Glass - 9. Dreaming - 10. The Hardest Part - 11. Union City Blue - 12. Atomic - 13. The Tide Is High - 14. Rapture - 15. Island of Lost Souls - 16. Maria - 17. Good Boys

A modern love story to the rhythm of rock in Mexico City.

Death ...is just the beginning vol.7

Death ...is just the beginning Classics

"Red Terror" visual picks up where "Open Hearts" leaves off. The Weeknd is portrayed as a mouthless child who appears to be chased by monsters through an ominous forest as he tries to shed his original form.

Death ...is just the beginning V

Death ...is just the beginning vol. VI

Death ...is just the beginning IV

A compilation of music videos by American alternative rock band They Might Be Giants, spanning the years 1986 to 1994.